[iberoamericanmusiclist] Deadline approaching (April 13) / V MUSAM-SEdeM Conference (Valladolid, Spain, 2-4 October 2025)

Tue Apr 8 06:19:54 PDT 2025

Dear colleagues,

This is a friendly reminder that the call for proposals for the V
MUSAM-SEdeM Congress, titled "Transatlantic Dialogues: Discourses and
Analytical Strategies on Ibero-American Music", remains open until *Sunday,
April 13*.

The congress will take place at the University of Valladolid (Spain), from
October 2 to 4, 2025, under the direction of Águeda Pedrero-Encabo and
Carlos Villar-Taboada.

Proposals should be submitted to: *congresomusam2025 at gmail.com*, which is
also the contact for any inquiries regarding the event.

Further details can be found in the attached documents and on the website:

https://eventos.uva.es/130386/detail/v-congreso-musam.html

We look forward to your contributions!

Best regards,

Javier

El lun, 3 mar 2025 a las 9:38, Javier Marín-López (<marin at ujaen.es>)
escribió:

>
>
>
> *Transatlantic Dialogues: Discourses and Analytical Strategies on
> Ibero-American Music (V MUSAM / SEdeM Conference)Study Group “Music and
> (Latin)American Studies”, Spanish Society for MusicologyOctober 2–4,
> 2025, University of Valladolid, Spain*
> *D*eadlines
> - Proposal submission deadline: April 13, 2025
> - Notification of acceptance: May 16, 2025
> - Official conference languages: Spanish, Portuguese, and English
>
> *Contact Information*
> congresomusam2025 at gmail.com
> http://eventos.uva.es/go/vcongresomusam
>
> PRESENTATION
> In recent decades, the study of Ibero-American music has undergone a deep
> transformation driven by the development of new strategies, methods, and
> theories, as well as by increasing interdisciplinarity and the rapid
> incorporation of computational tools. These new frameworks coexist with
> (auto)ethnographic, semiotic, and decolonial perspectives, fostering
> renewed analytical approaches that transcend formalist boundaries and
> enable a more plural understanding of musical signification processes in
> Ibero-American music. The V MUSAM / SEdeM Conference invites scholars to
> reflect on these emerging approaches from a transatlantic perspective,
> addressing both the analysis of sound discourse through updated analytical
> tools and the study of discourses about music, including its creation,
> performance, reception, and circulation between both sides of the Atlantic.
> The conference aims to establish a scientific dialogue that expands the
> analytical possibilities and strategies of the Ibero-American soundscape,
> promoting a more dynamic and inclusive framework that reflects the
> diversity and complexity of musical practices in the Atlantic and global
> contexts.
>
> SUBMISSION GUIDELINES
> Researchers interested in participating may submit proposals for
> presentations in the following thematic areas (or other related topics in
> line with previous MUSAM conferences, characterized by their transatlantic
> approach):
> * structures, techniques, and analytical/compositional methods
> * musical analysis and signification: schemata, rhetoric, topoi,
> narratology, and hermeneutics
> * postcolonial and decolonial perspectives in musical analysis
> * analytical strategies for Ibero-American oral tradition repertoires
> * performance studies as an analytical tool
> * canon, counter-canon, and alterity in Ibero-American music
> historiography
> * analysis of sound, audiovisual, and multimodal recordings
> * critical edition as an act of analysis and performance
> * circuits, transnational networks, and dialogues between musical and
> scenic repertoires
> * Ibero-American music, technology, digital tools, and artificial
> intelligence
> * sound archives: analytical mediations and representation systems
> * music as discourse: power, identity, resistance, and memory
>
> Presentation formats
> 1. Individual paper (20 minutes)
> 2. Thematic panels (4 papers per panel, 2 hours)
> 3. Lecture-recital (20 minutes)
> 4. Presentation of new publications (books, recordings, digital resources,
> 15 minutes)
> 5. Presentation of research groups and projects (15 minutes)
>
> Proposal Submission Requirements
> - Name(s) of the author(s) and institutional affiliation (if applicable)
> - Selected presentation format
> - For formats 1 (individual paper), 4 (new publications), and 5 (research
> projects): Title and abstract (max. 200 words), including 3-5 keywords,
> clearly outlining the proposal’s purpose, novelty, approach, and results.
> - For format 2 (thematic panels): Panel title and a 200-word rationale,
> followed by the title, abstract, and keywords of up to four individual
> papers within the panel (same criteria as above).
> - For format 3 (lecture-recital): Abstract (max. 200 words) including 3-5
> keywords, and a description of the performance proposal and repertoire
> (composer, title, year, and sections/movements, if applicable). Accepted
> candidates must provide their own instruments (except for piano, which
> should be coordinated with the organizers).
> - At least two prioritized thematic areas from the list above
> - Short bio (max. 150 words)
> - Author’s email address
> - Technical requirements (a computer with audio output and a projector
> will be available)
>
> Proposals should be submitted as an attached document (.doc, .docx, .rtf)
> to: congresomusam2025 at gmail.com
>
> The organization will not cover travel, accommodation, or subsistence
> expenses. In exceptional cases, remote participation via videoconference
> may be considered for those facing financial or medical constraints
> preventing travel to Valladolid.
>
> ORGANIZERS
> - Study Group “Music and (Latin) American Studies” (MUSAM), Spanish
> Society for Musicology
> - Departmental Section of History and Music Sciences, University of
> Valladolid
> - Recognized Research Group “Music, Performing Arts, and Heritage” (MAEP),
> University of Valladolid
>
> ACTIVITIES
> The conference will feature guided tours and concerts related to the
> event’s themes.
>
> REGISTRATION
> Participants must complete their registration online according to the
> following fees:
> - Presenters: 70€
> - Student presenters, MUSAM members, and non-presenting attendees: 40€
>
> Payment can be made via:
> - Bank transfer to SEdeM account: IBAN ES88.2100.3477.9322.0009.7194
> - Credit card (VISA)
>
> Please indicate: “V MUSAM Conference – Name Surname”
>
> PUBLICATION
> Selected papers from the congress will be published by a leading academic
> press.
>
> CONFERENCE DIRECTORS
> Águeda Pedrero-Encabo (University of Valladolid)
> Carlos Villar-Taboada (University of Valladolid)
>
> SECRETARY
> Ana Calonge Conde (University of Valladolid)
>
> SCIENTIFIC COMMITTEE
> Diana Brenscheidt (University of Sonora)
> Rogério Budasz (University of California Riverside)
> David Cranmer (CESEM, Nova University Lisbon)
> Liliana González Moreno (LAIM, Puerto Rico / University of Havana)
> Cristián Guerra Rojas (University of Chile)
> Iván Iglesias Iglesias (University of Valladolid)
> Ana María Liberal (ESMAE, Polytechnic Institute Porto)
> Silvina Luz Mansilla (University of Buenos Aires)
> Mariantonia Palacios de Sans (Central University of Venezuela)
> Paulo de Tarso Salles (University of São Paulo)
>
> ORGANIZING COMMITTEE (University of Valladolid)
> Irene de Blas Álvarez
> Julia Escribano Blanco
> Xulia Feixoo Martínez
> Iván García Jimeno
> Irene Gómez Ruano
> Laura González Pérez
> Alicia Jiménez Jiménez
> Joaquín Posac Hernández
> Nuria Torres Lobo
> Jaime Vidal Briones
>
> MUSAM COMMITTEE
> Javier Marín-López (University of Jaén)
> Belén Vega Pichaco (La Rioja University)
> Enrique Cámara de Landa (University of Valladolid)
> Montserrat Capelán Fernández (University of Santiago de Compostela)
> Ladislao Ceja Fernández (University of Oviedo)
> Victoria Eli Rodríguez (Complutense University of Madrid)
> Álvaro Mota Medina (Complutense University of Madrid)
> Julio Ogas Jofré (University of Oviedo)
>
> Study Group:
> http://www.sedem.es/es/comisiones-de-trabajo
>
> MUSAM SOCIAL MEDIA
> https://linktr.ee/musamsedem
>
> [image: Cartel V MUSAM.jpg]
>
> *--*
> *Javier Marín-López*
> Catedrático de Universidad, Área de Música
> Director del Secretariado de Editorial Universitaria y Proyección de la
> Cultura
> www.javiermarinlopez.com
> marin at ujaen.es
> Directorio de redes sociales | *Social Media Profile List*
> <https://linktr.ee/javiermarinlopez>
>
> *Universidad de Jaén*
> Dpto. Didáctica de la Expresión Musical, Plástica y Corporal
> Facultad de Humanidades y CC. Educación, Edif. D2-127
> Campus Las Lagunillas, s/n - 23071 - Jaén (España)
> | +34 953 213 374
>
> Vicerrectorado de Cultura
> Antigua Escuela de Magisterio - Cultura y emprendimiento, dependencia 311B
> C/ Virgen de la Cabeza, 2C - 23008 - Jaén (España)
> vicultura at ujaen.es
>
> [image: Universidad de Jaén] <https://www.ujaen.es/>
>
>
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