[Cwgrad-announcements] Fwd: Caleb Crain's NYer article
Charles Whitney
chuck.whitney at ucr.edu
Wed Jan 2 10:32:48 PST 2008
This from Andrew Winer, and I agree that it's an
important argument. If you'd prefer the link,
here it is:
http://www.newyorker.com/arts/critics/atlarge/2007/12/24/071224crat_atlarge_crain
>From: "Andrew Winer" <andrew.winer at ucr.edu>
>To: "Charles Whitney" <Chuck.Whitney at ucr.edu>
>Subject: Caleb Crain's NYer article
>Date: Sun, 23 Dec 2007 16:48:53 -0800
>X-Junkmail-Whitelist: YES (by domain whitelist at sentrell.ucr.edu)
>
>Hi Chuck,
>
>Not sure if you've seen this yet, but I think
>that every professor of writing should read this
>current New Yorker piece, and that it should be
>assigned to incoming freshmen, across the board.
>Contemporary students deserve to understand what
>their brains are doing when they read versus
>when they are "plugged in" (to video games, You
>Tube, TV, etc.), and why their chances of making
>a larger contribution to the world, not to
>mention lucid decisions, vastly decrease in
>proportion to their decreased reading time
>(which turns out to be
>reflecting/contemplating/down- time for the
>brain). The essay also crucially debunks
>journalist Steven Johnson's recent claim
>that television and video games are making our
>minds sharper.
>
>-Andrew
>
>
>Twilight of the Books
>
>What will life be like if people stop reading?
>
>by
><http://www.newyorker.com/search/query?query=authorName:%22Caleb
>Crain%22>Caleb Crain December 24, 2007
>
>
>
>
>A recent study has shown a steep decline in
>literary reading among schoolchildren.
>
>
>
>In 1937, twenty-nine per cent of American adults
>told the pollster George Gallup that they were
>reading a book. In 1955, only seventeen per cent
>said they were. Pollsters began asking the
>question with more latitude. In 1978, a survey
>found that fifty-five per cent of respondents
>had read a book in the previous six months. The
>question was even looser in 1998 and 2002, when
>the General Social Survey found that roughly
>seventy per cent of Americans had read a novel,
>a short story, a poem, or a play in the
>preceding twelve months. And, this August,
>seventy-three per cent of respondents to another
>poll said that they had read a book of some
>kind, not excluding those read for work or
>school, in the past year. If you didn't read the
>fine print, you might think that reading was on
>the rise.
>
>You wouldn't think so, however, if you consulted
>the Census Bureau and the National Endowment for
>the Arts, who, since 1982, have asked thousands
>of Americans questions about reading that are
>not only detailed but consistent. The results,
>first reported by the N.E.A. in 2004, are
>dispiriting. In 1982, 56.9 per cent of Americans
>had read a work of creative literature in the
>previous twelve months. The proportion fell to
>fifty-four per cent in 1992, and to 46.7 per
>cent in 2002. Last month, the N.E.A. released a
>follow-up report, "To Read or Not to Read,"
>which showed correlations between the decline of
>reading and social phenomena as diverse as
>income disparity, exercise, and voting. In his
>introduction, the N.E.A. chairman, Dana Gioia,
>wrote, "Poor reading skills correlate heavily
>with lack of employment, lower wages, and fewer
>opportunities for advancement."
>
>This decline is not news to those who depend on
>print for a living. In 1970, according to Editor
>& Publisher International Year Book, there were
>62.1 million weekday newspapers in
>circulation-about 0.3 papers per person. Since
>1990, circulation has declined steadily, and in
>2006 there were just 52.3 million weekday
>papers-about 0.17 per person. In January 1994,
>forty-nine per cent of respondents told the Pew
>Research Center for the People and the Press
>that they had read a newspaper the day before.
>In 2006, only forty-three per cent said so,
>including those who read online. Book sales,
>meanwhile, have stagnated. The Book Industry
>Study Group estimates that sales fell from 8.27
>books per person in 2001 to 7.93 in 2006.
>According to the Department of Labor, American
>households spent an average of a hundred and
>sixty-three dollars on reading in 1995 and a
>hundred and twenty-six dollars in 2005. In "To
>Read or Not to Read," the N.E.A. reports that
>American households' spending on books, adjusted
>for inflation, is "near its twenty-year low,"
>even as the average price of a new book has
>increased.
>
>More alarming are indications that Americans are
>losing not just the will to read but even the
>ability. According to the Department of
>Education, between 1992 and 2003 the average
>adult's skill in reading prose slipped one point
>on a five-hundred-point scale, and the
>proportion who were proficient-capable of such
>tasks as "comparing viewpoints in two
>editorials"-declined from fifteen per cent to
>thirteen. The Department of Education found that
>reading skills have improved moderately among
>fourth and eighth graders in the past decade and
>a half, with the largest jump occurring just
>before the No Child Left Behind Act took effect,
>but twelfth graders seem to be taking after
>their elders. Their reading scores fell an
>average of six points between 1992 and 2005, and
>the share of proficient twelfth-grade readers
>dropped from forty per cent to thirty-five per
>cent. The steepest declines were in "reading for
>literary experience"-the kind that involves
>"exploring themes, events, characters, settings,
>and the language of literary works," in the
>words of the department's test-makers. In 1992,
>fifty-four per cent of twelfth graders told the
>Department of Education that they talked about
>their reading with friends at least once a week.
>By 2005, only thirty-seven per cent said they
>did.
>
>The erosion isn't unique to America. Some of the
>best data come from the Netherlands, where in
>1955 researchers began to ask people to keep
>diaries of how they spent every fifteen minutes
>of their leisure time. Time-budget diaries yield
>richer data than surveys, and people are thought
>to be less likely to lie about their
>accomplishments if they have to do it four times
>an hour. Between 1955 and 1975, the decades when
>television was being introduced into the
>Netherlands, reading on weekday evenings and
>weekends fell from five hours a week to 3.6,
>while television watching rose from about ten
>minutes a week to more than ten hours. During
>the next two decades, reading continued to fall
>and television watching to rise, though more
>slowly. By 1995, reading, which had occupied
>twenty-one per cent of people's spare time in
>1955, accounted for just nine per cent.
>
>The most striking results were generational. In
>general, older Dutch people read more. It would
>be natural to infer from this that each
>generation reads more as it ages, and, indeed,
>the researchers found something like this to be
>the case for earlier generations. But, with
>later ones, the age-related growth in reading
>dwindled. The turning point seems to have come
>with the generation born in the
>nineteen-forties. By 1995, a Dutch college
>graduate born after 1969 was likely to spend
>fewer hours reading each week than a
>little-educated person born before 1950. As far
>as reading habits were concerned, academic
>credentials mattered less than whether a person
>had been raised in the era of television. The
>N.E.A., in its twenty years of data, has found a
>similar pattern. Between 1982 and 2002, the
>percentage of Americans who read literature
>declined not only in every age group but in
>every generation-even in those moving from youth
>into middle age, which is often considered the
>most fertile time of life for reading. We are
>reading less as we age, and we are reading less
>than people who were our age ten or twenty years
>ago.
>
>There's no reason to think that reading and
>writing are about to become extinct, but some
>sociologists speculate that reading books for
>pleasure will one day be the province of a
>special "reading class," much as it was before
>the arrival of mass literacy, in the second half
>of the nineteenth century. They warn that it
>probably won't regain the prestige of
>exclusivity; it may just become "an increasingly
>arcane hobby." Such a shift would change the
>texture of society. If one person decides to
>watch "The Sopranos" rather than to read
>Leonardo Sciascia's novella "To Each His Own,"
>the culture goes on largely as before-both
>viewer and reader are entertaining themselves
>while learning something about the Mafia in the
>bargain. But if, over time, many people choose
>television over books, then a nation's
>conversation with itself is likely to change. A
>reader learns about the world and imagines it
>differently from the way a viewer does;
>according to some experimental psychologists, a
>reader and a viewer even think differently. If
>the eclipse of reading continues, the alteration
>is likely to matter in ways that aren't
>foreseeable.
>
>Taking the long view, it's not the neglect of
>reading that has to be explained but the fact
>that we read at all. "The act of reading is not
>natural," Maryanne Wolf writes in "Proust and
>the Squid" (Harper; $25.95), an account of the
>history and biology of reading. Humans started
>reading far too recently for any of our genes to
>code for it specifically. We can do it only
>because the brain's plasticity enables the
>repurposing of circuitry that originally evolved
>for other tasks-distinguishing at a glance a
>garter snake from a haricot vert, say.
>
>The squid of Wolf's title represents the
>neurobiological approach to the study of
>reading. Bigger cells are easier for scientists
>to experiment on, and some species of squid have
>optic-nerve cells a hundred times as thick as
>mammal neurons, and up to four inches long,
>making them a favorite with biologists. (Two
>decades ago, I had a summer job washing
>glassware in Cape Cod's Marine Biological
>Laboratory. Whenever researchers extracted an
>optic nerve, they threw the rest of the squid
>into a freezer, and about once a month we took a
>cooler-full to the beach for grilling.) To
>symbolize the humanistic approach to reading,
>Wolf has chosen Proust, who described reading as
>"that fruitful miracle of a communication in the
>midst of solitude." Perhaps inspired by Proust's
>example, Wolf, a dyslexia researcher at Tufts,
>reminisces about the nuns who taught her to read
>in a two-room brick schoolhouse in Illinois. But
>she's more of a squid person than a Proust
>person, and seems most at home when dissecting
>Proust's fruitful miracle into such brain parts
>as the occipital "visual association area" and
>"area 37's fusiform gyrus." Given the panic that
>takes hold of humanists when the decline of
>reading is discussed, her cold-blooded
>perspective is opportune.
>
>Wolf recounts the early history of reading,
>speculating about developments in brain wiring
>as she goes. For example, from the eighth to the
>fifth millennia B.C.E., clay tokens were used in
>Mesopotamia for tallying livestock and other
>goods. Wolf suggests that, once the simple
>markings on the tokens were understood not
>merely as squiggles but as representations of,
>say, ten sheep, they would have put more of the
>brain to work. She draws on recent research with
>functional magnetic resonance imaging (fMRI), a
>technique that maps blood flow in the brain
>during a given task, to show that meaningful
>squiggles activate not only the occipital
>regions responsible for vision but also temporal
>and parietal regions associated with language
>and computation. If a particular squiggle was
>repeated on a number of tokens, a group of
>nerves might start to specialize in recognizing
>it, and other nerves to specialize in connecting
>to language centers that handled its meaning.
>
>In the fourth millennium B.C.E., the Sumerians
>developed cuneiform, and the Egyptians
>hieroglyphs. Both scripts began with pictures of
>things, such as a beetle or a hand, and then
>some of these symbols developed more abstract
>meanings, representing ideas in some cases and
>sounds in others. Readers had to recognize
>hundreds of symbols, some of which could stand
>for either a word or a sound, an ambiguity that
>probably slowed down decoding. Under this heavy
>cognitive burden, Wolf imagines, the Sumerian
>reader's brain would have behaved the way modern
>brains do when reading Chinese, which also mixes
>phonetic and ideographic elements and seems to
>stimulate brain activity in a pattern distinct
>from that of people reading the Roman alphabet.
>Frontal regions associated with muscle memory
>would probably also have gone to work, because
>the Sumerians learned their characters by
>writing them over and over, as the Chinese do
>today.
>
>Complex scripts like Sumerian and Egyptian were
>written only by scribal élites. A major
>breakthrough occurred around 750 B.C.E., when
>the Greeks, borrowing characters from a Semitic
>language, perhaps Phoenician, developed a
>writing system that had just twenty-four
>letters. There had been scripts with a limited
>number of characters before, as there had been
>consonants and even occasionally vowels, but the
>Greek alphabet was the first whose letters
>recorded every significant sound element in a
>spoken language in a one-to-one correspondence,
>give or take a few diphthongs. In ancient Greek,
>if you knew how to pronounce a word, you knew
>how to spell it, and you could sound out almost
>any word you saw, even if you'd never heard it
>before. Children learned to read and write Greek
>in about three years, somewhat faster than
>modern children learn English, whose alphabet is
>more ambiguous. The ease democratized literacy;
>the ability to read and write spread to citizens
>who didn't specialize in it. The classicist Eric
>A. Havelock believed that the alphabet changed
>"the character of the Greek consciousness."
>
>Wolf doesn't quite second that claim. She points
>out that it is possible to read efficiently a
>script that combines ideograms and phonetic
>elements, something that many Chinese do daily.
>The alphabet, she suggests, entailed not a
>qualitative difference but an accumulation of
>small quantitative ones, by helping more readers
>reach efficiency sooner. "The efficient reading
>brain," she writes, "quite literally has more
>time to think." Whether that development sparked
>Greece's flowering she leaves to classicists to
>debate, but she agrees with Havelock that
>writing was probably a contributive factor,
>because it freed the Greeks from the necessity
>of keeping their whole culture, including the
>Iliad and the Odyssey, memorized.
>
>The scholar Walter J. Ong once speculated that
>television and similar media are taking us into
>an era of "secondary orality," akin to the
>primary orality that existed before the
>emergence of text. If so, it is worth trying to
>understand how different primary orality must
>have been from our own mind-set. Havelock
>theorized that, in ancient Greece, the effort
>required to preserve knowledge colored
>everything. In Plato's day, the word mimesis
>referred to an actor's performance of his role,
>an audience's identification with a performance,
>a pupil's recitation of his lesson, and an
>apprentice's emulation of his master. Plato, who
>was literate, worried about the kind of trance
>or emotional enthrallment that came over people
>in all these situations, and Havelock inferred
>from this that the idea of distinguishing the
>knower from the known was then still a novelty.
>In a society that had only recently learned to
>take notes, learning something still meant
>abandoning yourself to it. "Enormous powers of
>poetic memorization could be purchased only at
>the cost of total loss of objectivity," he wrote.
>
>It's difficult to prove that oral and literate
>people think differently; orality, Havelock
>observed, doesn't "fossilize" except through its
>nemesis, writing. But some supporting evidence
>came to hand in 1974, when Aleksandr R. Luria, a
>Soviet psychologist, published a study based on
>interviews conducted in the nineteen-thirties
>with illiterate and newly literate peasants in
>Uzbekistan and Kyrgyzstan. Luria found that
>illiterates had a "graphic-functional" way of
>thinking that seemed to vanish as they were
>schooled. In naming colors, for example,
>literate people said "dark blue" or "light
>yellow," but illiterates used metaphorical names
>like "liver," "peach," "decayed teeth," and
>"cotton in bloom." Literates saw optical
>illusions; illiterates sometimes didn't.
>Experimenters showed peasants drawings of a
>hammer, a saw, an axe, and a log and then asked
>them to choose the three items that were
>similar. Illiterates resisted, saying that all
>the items were useful. If pressed, they
>considered throwing out the hammer; the
>situation of chopping wood seemed more cogent to
>them than any conceptual category. One peasant,
>informed that someone had grouped the three
>tools together, discarding the log, replied,
>"Whoever told you that must have been crazy,"
>and another suggested, "Probably he's got a lot
>of firewood." One frustrated experimenter showed
>a picture of three adults and a child and
>declared, "Now, clearly the child doesn't belong
>in this group," only to have a peasant answer:
>
>
>
>Oh, but the boy must stay with the others! All
>three of them are working, you see, and if they
>have to keep running out to fetch things,
>they'll never get the job done, but the boy can
>do the running for them.
>
>Illiterates also resisted giving definitions of
>words and refused to make logical inferences
>about hypothetical situations. Asked by Luria's
>staff about polar bears, a peasant grew testy:
>"What the cock knows how to do, he does. What I
>know, I say, and nothing beyond that!" The
>illiterates did not talk about themselves except
>in terms of their tangible possessions. "What
>can I say about my own heart?" one asked.
>
>In the nineteen-seventies, the psychologists
>Sylvia Scribner and Michael Cole tried to
>replicate Luria's findings among the Vai, a
>rural people in Liberia. Since some Vai were
>illiterate, some were schooled in English, and
>others were literate in the Vai's own script,
>the researchers hoped to be able to distinguish
>cognitive changes caused by schooling from those
>caused specifically by literacy. They found that
>English schooling and English literacy improved
>the ability to talk about language and solve
>logic puzzles, as literacy had done with Luria's
>peasants. But literacy in Vai script improved
>performance on only a few language-related
>tasks. Scribner and Cole's modest
>conclusion-"Literacy makes some difference to
>some skills in some contexts"-convinced some
>people that the literate mind was not so
>different from the oral one after all. But
>others have objected that it was misguided to
>separate literacy from schooling, suggesting
>that cognitive changes came with the culture of
>literacy rather than with the mere fact of it.
>Also, the Vai script, a syllabary with more than
>two hundred characters, offered nothing like the
>cognitive efficiency that Havelock ascribed to
>Greek. Reading Vai, Scribner and Cole admitted,
>was "a complex problem-solving process," usually
>performed slowly.
>
>Soon after this study, Ong synthesized existing
>research into a vivid picture of the oral
>mind-set. Whereas literates can rotate concepts
>in their minds abstractly, orals embed their
>thoughts in stories. According to Ong, the best
>way to preserve ideas in the absence of writing
>is to "think memorable thoughts," whose zing
>insures their transmission. In an oral culture,
>cliché and stereotype are valued, as
>accumulations of wisdom, and analysis is frowned
>upon, for putting those accumulations at risk.
>There's no such concept as plagiarism, and
>redundancy is an asset that helps an audience
>follow a complex argument. Opponents in struggle
>are more memorable than calm and abstract
>investigations, so bards revel in name-calling
>and in "enthusiastic description of physical
>violence." Since there's no way to erase a
>mistake invisibly, as one may in writing,
>speakers tend not to correct themselves at all.
>Words have their present meanings but no older
>ones, and if the past seems to tell a story with
>values different from current ones, it is either
>forgotten or silently adjusted. As the scholars
>Jack Goody and Ian Watt observed, it is only in
>a literate culture that the past's
>inconsistencies have to be accounted for, a
>process that encourages skepticism and forces
>history to diverge from myth.
>
>Upon reaching classical Greece, Wolf abandons
>history, because the Greeks' alphabet-reading
>brains probably resembled ours, which can be
>readily put into scanners. Drawing on recent
>imaging studies, she explains in detail how a
>modern child's brain wires itself for literacy.
>The ground is laid in preschool, when parents
>read to a child, talk with her, and encourage
>awareness of sound elements like rhyme and
>alliteration, perhaps with "Mother Goose" poems.
>Scans show that when a child first starts to
>read she has to use more of her brain than
>adults do. Broad regions light up in both
>hemispheres. As a child's neurons specialize in
>recognizing letters and become more efficient,
>the regions activated become smaller.
>
>At some point, as a child progresses from
>decoding to fluent reading, the route of signals
>through her brain shifts. Instead of passing
>along a "dorsal route" through occipital,
>temporal, and parietal regions in both
>hemispheres, reading starts to move along a
>faster and more efficient "ventral route," which
>is confined to the left hemisphere. With the
>gain in time and the freed-up brainpower, Wolf
>suggests, a fluent reader is able to integrate
>more of her own thoughts and feelings into her
>experience. "The secret at the heart of
>reading," Wolf writes, is "the time it frees for
>the brain to have thoughts deeper than those
>that came before." Imaging studies suggest that
>in many cases of dyslexia the right hemisphere
>never disengages, and reading remains effortful.
>
>In a recent book claiming that television and
>video games were "making our minds sharper," the
>journalist Steven Johnson argued that since we
>value reading for "exercising the mind," we
>should value electronic media for offering a
>superior "cognitive workout." But, if Wolf's
>evidence is right, Johnson's metaphor of
>exercise is misguided. When reading goes well,
>Wolf suggests, it feels effortless, like
>drifting down a river rather than rowing up it.
>It makes you smarter because it leaves more of
>your brain alone. Ruskin once compared reading
>to a conversation with the wise and noble, and
>Proust corrected him. It's much better than
>that, Proust wrote. To read is "to receive a
>communication with another way of thinking, all
>the while remaining alone, that is, while
>continuing to enjoy the intellectual power that
>one has in solitude and that conversation
>dissipates immediately."
>
>Wolf has little to say about the general decline
>of reading, and she doesn't much speculate about
>the function of the brain under the influence of
>television and newer media. But there is
>research suggesting that secondary orality and
>literacy don't mix. In a study published this
>year, experimenters varied the way that people
>took in a PowerPoint presentation about the
>country of Mali. Those who were allowed to read
>silently were more likely to agree with the
>statement "The presentation was interesting,"
>and those who read along with an audiovisual
>commentary were more likely to agree with the
>statement "I did not learn anything from this
>presentation." The silent readers remembered
>more, too, a finding in line with a series of
>British studies in which people who read
>transcripts of television newscasts, political
>programs, advertisements, and science shows
>recalled more information than those who had
>watched the shows themselves.
>
>The antagonism between words and moving images
>seems to start early. In August, scientists at
>the University of Washington revealed that
>babies aged between eight and sixteen months
>know on average six to eight fewer words for
>every hour of baby DVDs and videos they watch
>daily. A 2005 study in Northern California found
>that a television in the bedroom lowered the
>standardized-test scores of third graders. And
>the conflict continues throughout a child's
>development. In 2001, after analyzing data on
>more than a million students around the world,
>the researcher Micha Razel found "little room
>for doubt" that television worsened performance
>in reading, science, and math. The relationship
>wasn't a straight line but "an inverted check
>mark": a small amount of television seemed to
>benefit children; more hurt. For nine-year-olds,
>the optimum was two hours a day; for
>seventeen-year-olds, half an hour. Razel guessed
>that the younger children were watching
>educational shows, and, indeed, researchers have
>shown that a five-year-old boy who watches
>"Sesame Street" is likely to have higher grades
>even in high school. Razel noted, however, that
>fifty-five per cent of students were exceeding
>their optimal viewing time by three hours a day,
>thereby lowering their academic achievement by
>roughly one grade level.
>
>The Internet, happily, does not so far seem to
>be antagonistic to literacy. Researchers
>recently gave Michigan children and teen-agers
>home computers in exchange for permission to
>monitor their Internet use. The study found that
>grades and reading scores rose with the amount
>of time spent online. Even visits to pornography
>Web sites improved academic performance. Of
>course, such synergies may disappear if the
>Internet continues its YouTube-fuelled evolution
>away from print and toward television.
>
>No effort of will is likely to make reading
>popular again. Children may be browbeaten, but
>adults resist interference with their pleasures.
>It may simply be the case that many Americans
>prefer to learn about the world and to entertain
>themselves with television and other streaming
>media, rather than with the printed word, and
>that it is taking a few generations for them to
>shed old habits like newspapers and novels. The
>alternative is that we are nearing the end of a
>pendulum swing, and that reading will return,
>driven back by forces as complicated as those
>now driving it away.
>
>But if the change is permanent, and especially
>if the slide continues, the world will feel
>different, even to those who still read. Because
>the change has been happening slowly for
>decades, everyone has a sense of what is at
>stake, though it is rarely put into words. There
>is something to gain, of course, or no one would
>ever put down a book and pick up a remote.
>Streaming media give actual pictures and sounds
>instead of mere descriptions of them.
>"Television completes the cycle of the human
>sensorium," Marshall McLuhan proclaimed in 1967.
>Moving and talking images are much richer in
>information about a performer's appearance,
>manner, and tone of voice, and they give us the
>impression that we know more about her health
>and mood, too. The viewer may not catch all the
>details of a candidate's health-care plan, but
>he has a much more definite sense of her as a
>personality, and his response to her is
>therefore likely to be more full of emotion.
>There is nothing like this connection in print.
>A feeling for a writer never touches the fact of
>the writer herself, unless reader and writer
>happen to meet. In fact, from Shakespeare to
>Pynchon, the personalities of many writers have
>been mysterious.
>
>Emotional responsiveness to streaming media
>harks back to the world of primary orality, and,
>as in Plato's day, the solidarity amounts almost
>to a mutual possession. "Electronic technology
>fosters and encourages unification and
>involvement," in McLuhan's words. The viewer
>feels at home with his show, or else he changes
>the channel. The closeness makes it hard to
>negotiate differences of opinion. It can be
>amusing to read a magazine whose principles you
>despise, but it is almost unbearable to watch
>such a television show. And so, in a culture of
>secondary orality, we may be less likely to
>spend time with ideas we disagree with.
>
>Self-doubt, therefore, becomes less likely. In
>fact, doubt of any kind is rarer. It is easy to
>notice inconsistencies in two written accounts
>placed side by side. With text, it is even easy
>to keep track of differing levels of authority
>behind different pieces of information. The
>trust that a reader grants to the New York
>Times, for example, may vary sentence by
>sentence. A comparison of two video reports, on
>the other hand, is cumbersome. Forced to choose
>between conflicting stories on television, the
>viewer falls back on hunches, or on what he
>believed before he started watching. Like the
>peasants studied by Luria, he thinks in terms of
>situations and story lines rather than
>abstractions.
>
>And he may have even more trouble than Luria's
>peasants in seeing himself as others do. After
>all, there is no one looking back at the
>television viewer. He is alone, though he, and
>his brain, may be too distracted to notice it.
>The reader is also alone, but the N.E.A. reports
>that readers are more likely than non-readers to
>play sports, exercise, visit art museums, attend
>theatre, paint, go to music events, take
>photographs, and volunteer. Proficient readers
>are also more likely to vote. Perhaps readers
>venture so readily outside because what they
>experience in solitude gives them confidence.
>Perhaps reading is a prototype of independence.
>No matter how much one worships an author,
>Proust wrote, "all he can do is give us
>desires." Reading somehow gives us the boldness
>to act on them. Such a habit might be quite
>dangerous for a democracy to lose. ܶ
--
D. Charles Whitney, Professor and Chair
Department of Creative Writing, 4126 INTS
University of California, Riverside 900 University Ave.
Riverside, CA 92521 951.827.6076 FAX 951.827.3619
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