<div dir="ltr">Excited to share that my book, <i>Audiofuturism: Science Fiction Radio Drama & the Black Fantastic Imagination</i>, is on sale now!<br><br><div class="gmail_quote gmail_quote_container"><div dir="ltr" class="gmail_attr">---------- Forwarded message ---------<br>From: <strong class="gmail_sendername" dir="auto">Fordham University Press</strong> <span dir="auto"><<a href="mailto:fordhampress@fordhampress.ccsend.com">fordhampress@fordhampress.ccsend.com</a>></span><br>Date: Tue, Apr 7, 2026 at 7:02 AM<br>Subject: Save 25% plus free shipping on "Audiofuturism" by andré m. carrington<br>To:  <<a href="mailto:andre.carrington@ucr.edu">andre.carrington@ucr.edu</a>><br></div><br><br><div class="msg-6568953169049148577"><u></u>
          
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<p style="text-align:center;margin:0" align="center"><span style="font-weight:bold;font-size:17px;color:rgb(255,255,255);font-style:italic">*Expires 4/30/26</span></p>
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<p style="margin:0"><span style="font-size:15px;color:rgb(40,34,32);font-style:italic;font-family:Georgia,Times New Roman,Times,serif">“</span><span style="font-size:15px;color:rgb(40,34,32);font-family:Georgia,Times New Roman,Times,serif">An indispensable contribution to the study of Black speculative production</span><span style="font-size:15px;color:rgb(40,34,32);font-family:Georgia,Times New Roman,Times,serif;font-style:italic">.”</span></p>
<p style="margin:0"><span style="font-size:15px;color:rgb(40,34,32);font-style:italic;font-family:Georgia,Times New Roman,Times,serif">—</span><span style="font-size:15px;color:rgb(40,34,32);font-family:Georgia,Times New Roman,Times,serif">Reynaldo Anderson, </span></p>
<p style="margin:0"><span style="font-size:15px;color:rgb(40,34,32);font-family:Georgia,Times New Roman,Times,serif">co-editor of </span><span style="font-size:15px;color:rgb(40,34,32);font-family:Georgia,Times New Roman,Times,serif;font-style:italic">Afrofuturism 2.0: </span></p>
<p style="margin:0"><span style="font-size:15px;color:rgb(40,34,32);font-style:italic;font-family:Georgia,Times New Roman,Times,serif">The Rise of Astro-Blackness</span></p>
<p style="margin:0"><br></p>
<p style="margin:0"><span style="font-size:15px;color:rgb(40,34,32);font-style:italic">“</span><span style="font-size:15px;color:rgb(40,34,32);font-style:italic;font-family:Georgia,Times New Roman,Times,serif"></span><span style="font-size:15px;color:rgb(40,34,32)">Meticulous and exciting, A</span><span style="font-size:15px;color:rgb(40,34,32);font-style:italic">udiofuturism</span><span style="font-size:15px;color:rgb(40,34,32)"> fills in a major gap in the history science fiction, radio dramas, the Jim Crow era, and speculative Black studies.</span><span style="font-size:15px;color:rgb(40,34,32);font-style:italic">”</span></p>
<p style="margin:0"><span style="font-size:15px;color:rgb(40,34,32);font-style:italic">—</span><span style="font-size:15px;color:rgb(40,34,32)">Shanté Paradigm Smalls, </span></p>
<p style="margin:0"><span style="font-size:15px;color:rgb(40,34,32)">author of </span><span style="font-size:15px;color:rgb(40,34,32);font-style:italic">Hip Hop Heresies: Queer Aesthetics in New York City</span></p>
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<table width="100%" cellpadding="0" cellspacing="0" border="0"> <tbody><tr> <td class="m_-6568953169049148577content-padding-horizontal" style="padding:10px 20px" width="100%" align="center" valign="top"> <table style="height:1px;width:100%" cellpadding="0" cellspacing="0" border="0"> <tbody><tr> <td style="padding-bottom:0px;background-color:#282220;height:1px;line-height:1px;border-bottom-width:0px" height="1" align="center" bgcolor="#282220"> <img alt="" width="5" height="1" border="0" hspace="0" vspace="0" src="https://imgssl.constantcontact.com/letters/images/1101116784221/S.gif" style="display:block;height:1px;width:5px"> </td> </tr> </tbody></table> </td> </tr> </tbody></table> </td> </tr> </tbody></table> <table class="m_-6568953169049148577layout" style="background-color:#ffffff;table-layout:fixed" width="100%" border="0" cellpadding="0" cellspacing="0" bgcolor="#FFFFFF"> <tbody><tr> <td class="m_-6568953169049148577column m_-6568953169049148577scale m_-6568953169049148577stack" style="width:100%" align="center" valign="top"> <table class="m_-6568953169049148577text" width="100%" border="0" cellpadding="0" cellspacing="0" style="table-layout:fixed"> <tbody><tr> <td class="m_-6568953169049148577text_content-cell m_-6568953169049148577content-padding-horizontal" style="line-height:1.5;text-align:center;font-family:Georgia,Times New Roman,Times,serif;color:#4d4a4d;font-size:14px;display:block;word-wrap:break-word;padding:10px 20px" align="center" valign="top">
<p style="margin:0"><span style="font-weight:bold;font-size:12px;color:rgb(0,0,0);font-family:Georgia,Times New Roman,Times,serif">A revelatory history of Black radio productions from the 1950s to the present</span></p>
<p style="margin:0"><br></p>
<p style="text-align:left;margin:0" align="left"><span style="font-size:12px;color:rgb(0,0,0);font-style:italic;font-family:Georgia,Times New Roman,Times,serif">Audiofuturism </span><span style="font-size:12px;color:rgb(0,0,0);font-family:Georgia,Times New Roman,Times,serif">uncovers the vibrant, overlooked history of radio adaptations that placed Black speculative writing before mass audiences, showing how sound shaped the politics and pleasures of twentieth- and twenty-first-century culture. While adaptation studies has long privileged film and sound studies has centered Black music, andré m. carrington redirects attention to radio drama to demonstrate how performance translates the Black fantastic imagination into an audible cultural heritage. Drawing on scripts, surviving recordings, production files, and author archives, the book reconstructs how radio made listeners hear literature differently and how those sonic interpretations reverberate through American Studies, media history, and Black literary traditions.</span></p>
<p style="text-align:left;margin:0" align="left"><span style="font-size:12px;color:rgb(0,0,0);font-family:Georgia,Times New Roman,Times,serif"> </span></p>
<p style="text-align:left;margin:0" align="left"><span style="font-size:12px;color:rgb(0,0,0);font-family:Georgia,Times New Roman,Times,serif">Organized as a scan across the dial, the study moves from World War II to the digital age. It begins with </span><span style="font-size:12px;color:rgb(0,0,0);font-style:italic;font-family:Georgia,Times New Roman,Times,serif">New World A-Coming</span><span style="font-size:12px;color:rgb(0,0,0);font-family:Georgia,Times New Roman,Times,serif">, a wartime series inspired by Roi Ottley that folded antiracist reporting and Popular Front ideals into weekly dramatizations aligned with the Black press’s Double Victory campaign against fascism at home and abroad. It then tunes to bohemian 1960s New York, where Samuel R. Delany’s </span><span style="font-size:12px;color:rgb(0,0,0);font-style:italic;font-family:Georgia,Times New Roman,Times,serif">The Star-Pit </span><span style="font-size:12px;color:rgb(0,0,0);font-family:Georgia,Times New Roman,Times,serif">became a striking radio play in which voice, silence, and experimental effects stage queer futurity. The book next considers the 2002 Seeing Ear Theatre adaptation of Octavia E. Butler’s </span><span style="font-size:12px;color:rgb(0,0,0);font-style:italic;font-family:Georgia,Times New Roman,Times,serif">Kindred</span><span style="font-size:12px;color:rgb(0,0,0);font-family:Georgia,Times New Roman,Times,serif">, showing how audible epigraphs drawn from enslaved women’s narratives converse with Butler’s negotiations over dramatic audio rights, and how per­formance intensifies the novel’s reckoning with slavery and memory. Finally, </span><span style="font-size:12px;color:rgb(0,0,0);font-style:italic;font-family:Georgia,Times New Roman,Times,serif">Audiofuturism </span><span style="font-size:12px;color:rgb(0,0,0);font-family:Georgia,Times New Roman,Times,serif">listens to the BBC’s 2016 adaptation of Toni Morrison’s </span><span style="font-size:12px;color:rgb(0,0,0);font-style:italic;font-family:Georgia,Times New Roman,Times,serif">Beloved</span><span style="font-size:12px;color:rgb(0,0,0);font-family:Georgia,Times New Roman,Times,serif">, written by Patricia Cumper, to track how Black British theatre traditions and national broadcasting reshape a canonical American ghost story for twenty-first-century ears.</span></p>
<p style="text-align:left;margin:0" align="left"><span style="font-size:12px;color:rgb(0,0,0);font-family:Georgia,Times New Roman,Times,serif"> </span></p>
<p style="text-align:left;margin:0" align="left"><span style="font-size:12px;color:rgb(0,0,0);font-family:Georgia,Times New Roman,Times,serif">Across these case studies, carrington shows how radio dramatists and authors collaborated, compromised, and innovated to make speculative literature speak. The result is a fresh account of adaptation that enlarges the archive of Black sound, reframes radio as a site of cultural world-making, and invites scholars and general readers to listen again to the past in order to imagine different futures.</span></p>
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</div></div><div><br clear="all"></div><div><br></div><span class="gmail_signature_prefix">-- </span><br><div dir="ltr" class="gmail_signature" data-smartmail="gmail_signature"><div dir="ltr"><div>andré m. carrington <br></div><div><div dir="ltr"><div dir="ltr"><div><br></div><div>Associate Professor of English</div><div>University of California, Riverside</div><div><span style="color:rgb(34,34,34)">Director, </span><a href="https://sfts.ucr.edu/directors-report" style="color:rgb(17,85,204)" target="_blank">Designated Emphasis in Speculative Fictions & Cultures of Science</a><br></div><div>--</div><div>Editor, <a href="https://www.loa.org/books/the-black-fantastic-20-afrofuturist-stories-paperback/" style="color:rgb(17,85,204)" target="_blank"><i>The Black Fantastic</i></a>, Library of America, 2025</div><div><a href="https://fordhampress.com/audiofuturism-hb-9781531513320.html" target="_blank"><i>Audiofuturism: Science Fiction Radio Drama & the Black Fantastic Imagination</i></a></div><div><a href="https://www.upress.umn.edu/book-division/books/speculative-blackness" style="color:rgb(17,85,204)" target="_blank"><i>Speculative Blackness: The Future of Race in Science Fiction</i></a></div></div></div></div></div></div></div>