[iberoamericanmusiclist] IAMSG incoming elections

[Rogerio Budasz]

This message sent on behalf of Vera Wolkowicz
=====================================


Dear friends and colleagues,

I hope this message finds you well. I am sending you this message in my
role as current chair of the Ibero-American Music Study Group (IAMSG-AMS).
As you know, our dear colleague Ana Sánchez-Rojo has finished her term as
outgoing chair and it is time to elect a new incoming chair for our study
group to work jointly with me and Juan Fernando Velásquez. After
consultations with several members, we have three outstanding candidates:

*Cintia Cristiá* holds a PhD in Music History and Musicology (2004) and an
MA in Music (2000) from the Université de Paris-Sorbonne and has developed
an international career in research, administration, and education. She has
lived and worked in Argentina, Paris and London (UK), and is now based in
Toronto, Canada. At Ontario College of Art and Design, she applies her
wealth of knowledge of the academic research environment to support faculty
members and emerging researchers in their funding applications and
partnership contracts. She has led interdisciplinary research projects in
Argentina (Universidad Nacional del Litoral) and Canada (Toronto
Metropolitan University), where she was the Principal Investigator for a
SSHRC-funded Partnership Engage Grant (PEG) between TMU and the National
Arts Centre that looked into orchestral music audience remote engagement
during COVID-19 social restrictions using new media. She served twice as a
SSHRC’s PEG Merit Review Committee Member and is regularly invited as a
peer-reviewer in specialized journals. As the author of a ground-breaking
book on Argentinean artist Alejandro Xul Solar, and the editor of a
critical volume on interart aesthetics, she explores the relationship
between music, visual arts, and literature. Her collaborations include
lecture-recitals and audiovisual events with pianist Alexander Panizza. As
an academic lead on the executive team of the Modern Literature and Culture
Research Centre, Dr. Cristia collaborates with Dr. Irene Gammel. Her latest
research explores multimodal aesthetics and politics of identity, nation,
and gender in popular song in North America (1920s) and Argentina (1960s).
Her work has been published internationally and has received awards in
musicology and art critique.

 *Bernard Gordillo Brockmann**, *a native of Nicaragua, is a Postdoctoral
Associate and Lecturer at the Yale Institute of Sacred Music. He holds a
Ph.D. in historical musicology from the University of California at
Riverside. His scholarship lies at the crossroads of music and politics in
Latin America and its historical relations with the United States. Under
contract with the Oxford University Press, his book project, *Canto de
Marte: Art Music, Popular Culture, and U.S. Intervention in Nicaragua*,
examines the cultural impact of early twentieth-century United States
intervention in Central America. Other current projects include a semiotic
study of cast suspended bells in the Spanish and Mexican colonial missions
of California, which will be a part of the forthcoming *Critical Mission
Studies: California Indian Community Voices *(University of California
Press). He serves as area editor for Central America on the in-progress *Grove
Dictionary of Latin American and Iberian Music*.

 *Javier Marín-López* is Full Professor of Music at the University of Jaén,
Spain, former editor of the *Revista de Musicología* (Spanish Society for
Musicology [SEdeM], 2013-2021), and co-general editor of *Ignacio Jerusalem
(1707-1769). Obras Selectas - Selected Works* (Dairea, 2019-). He has
studied various aspects of Mexican, Latin American and Spanish musical
cultures from the sixteenth to the nineteenth centuries, with particular
emphasis on their transatlantic exchange processes in the broader global
context. He has published seven books, several book chapters and a number
or articles in *Early Music*, *Revista Musical Chilena*,
*Resonancias*, *Anuario
Musical* and *Diagonal: An Ibero-American Music Review*, among other
journals. Awards include the Extraordinary PhD Award from the Universidad
de Granada, the Samuel Claro Valdés Musicology Prize from the Pontificia
Universidad Católica de Chile, and the Honorable Mention of the Otto
Mayer-Serra Award from the University of California, Riverside. Interested
in fostering musicological dialogues between the Americas and Europe, he
founded the Música y Estudios Americanos (MUSAM / SEdeM) research network
in 2016. In addition to his scholarly work, since 2007 Marín-López is artistic
director of the internationally recognized Early Music Festival of Úbeda &
Baeza. For more info and publications see:
https://linktr.ee/javiermarinlopez

Please indicate your preferred candidate in the link you will receive on a
next email by no later than April 8th. Thank you Cintia, Bernard and Javier
for accepting the invitation to participate in this election. Also, we
would like to express our gratitude to Ana for her service and valuable
contribution to the growth of the IAMSG-AMS.

Kind regards,

Vera
-------------- next part --------------
An HTML attachment was scrubbed...
URL: <https://lists.ucr.edu/pipermail/iberoamericanmusiclist/attachments/20230324/8f96cb91/attachment.html>