[iberoamericanmusiclist] CFP: Authenticity, Hybridization, Transculturation: Intersections and Discourses in Ibero-American Music (Universidad de Oviedo, 26-28 October 2023)

Mon Mar 13 02:20:54 PDT 2023

*AUTHENTICITY, HYBRIDIZATION, TRANSCULTURATION: INTERSECTIONS AND
DISCOURSES IN IBERO-AMERICAN MUSIC*

*IV MUSAM / SEDEM CONFERENCEStudy Group “Music and (Latin)American
Studies”Spanish Society for Musicology*

*October 26-28, 2023University of Oviedo (Oviedo, Spain), Historic Building*

*Deadline for submission of proposals: May 7, 2023Confirmation of accepted
proposals: June 4, 2023*

*PRESENTATION*
Ibero-American music is the result of multiple crossroads, exchanges, and
appropriations as a consequence of massive migration processes in, from,
and towards the American continent throughout its history. The resulting
deterritorialization, fragmentation, reterritorialization, and production
of new sound practices shape a complex and multidimensional disciplinary
object conditioned not only by globalizing technological innovations but
also by new forms of sensitivity and reception. The ideal categories of
authenticity, hybridization, and transculturation—understood as identity,
aesthetic, and political rhetoric, as well as discursive spaces for
negotiation between the foreign and the familiar—have thus articulated
historical intersections and historiographical discourses that need to be
critically revisited. This conference encourages the study of
Ibero-American music through the lens of a double discourse that includes
both the expression of the sonic crossings, encounters, and hybridizations
in the past, and well as the narratives that seek to explain or subsume
Ibero-American music within ideological-cultural projects over time. From
this perspective, we welcome proposals relating to individual or group
discourses, their sociocultural components and connections, as well as the
interpretations and resignifications proposed or imposed by institutions,
spaces of cultural power, historiography, and criticism, among others.

* PROPOSALS*
Those interested in participating in the IV MUSAM Conference, which will be
held in person, can send their proposals on the following topics (or others
close to the general focus of the conference):

* Authenticity, hybridization, and transculturation in Ibero-American
music: theoretical and methodological sources and tools
* Circulation, reception, appropriation, and resignification of musical and
choreographic practices, repertoires, genres, instruments, and techniques
* Trajectories, circuits, intersections, and hybridizations between the
Luso-Brazilian and Hispanic-American universes
* Authenticity, originality, mestizaje, and other mythical structures
* Intertextuality in Ibero-American music: analytical proposals
* Influences, quotes, appropriations, variants, versions, and covers
* Ibero-American music, technological dynamics, and digital environments
* Memory formation processes: writing, orality, and aurality
* Disciplinary intersections: multi-, inter-, and transdisciplinarity in
the study of Ibero-American music

The participation modalities are as follows:
1. Individual paper (20 minutes)
2. Thematic panels (maximum 4 papers per panel)
3. Lecture-recital (20 minutes)
4. Presentation of publishing news (books, recordings, digital resources)
5. Other initiatives (working groups, research projects) (15 minutes)

The proposals must include:
- Author’s name or names and institutional affiliation (if applicable)
- Title and abstract (maximum 200 words)
- Participation modality
* Modalities 1 (individual paper), 4 (publishing news), and 5 (other
initiatives): title and abstract (extension 200 to 250 words), accompanied
by 3-5 keywords, clearly describing the purpose, novelty, approach, and
results of the proposal.
* Modality 2 (thematic panels): the panel title, a 200 to 250-word summary
of the panel, accompanied by 3-5 keywords, followed by the title, summary,
and keywords of up to 4 individual papers that comprise it (following the
same criteria as the previous point).
* Modality 3 (lecture-recital): 200 to 250-word extension, accompanied by
3-5 keywords; the text must contain a description of the proposal and the
repertoire to be performed (composer, work title, year, and
sections/movements, if any).
- Short bio (maximum 150 words)
- Email address
- Audiovisual media and other technical requirements

Proposals must be sent as an attachment (.doc, .docx, .rtf) to Belén Vega
Pichaco, secretary of MUSAM, at the email address: musam at sedem.es

The official languages of the Conference are: Spanish, Portuguese, and
English.

The organization is not responsible for travel, subsistence, or
accommodation expenses.

*PARALLEL ACTIVITIES*
The conference will host various parallel activities, such as music-themed
guided tours and concerts.

*PUBLICATION*
A selection of the papers presented at the conference will be published.

*REGISTRATION*
Registration fees for the conference are as follows:
- Presenters: 60 euros
- Student presenters, MUSAM members, and non-presenting participants: 40
euros

The registration fee is payable via the following methods:
- Deposit in the SEdeM account: IBAN ES88.2100.3477.9322.0009.7194
- Payment by credit card (VISA)

“IV Congreso MUSAM” and the name of the registered participant must be
indicated.

*CHAIRS*
Julio Ogas Jofré (Universidad de Oviedo)
Javier Marín-López (Universidad de Jaén)

*SCIENTIFIC COMMITTEE*
Ana Alonso-Minutti (University of New Mexico, Albuquerque)
Montserrat Capelán Fernández (Universidad de Santiago de Compostela)
David Cranmer (Universidade Nova de Lisboa, CESEM)
Marita Fornaro (Universidad de la República, Montevideo)
Marcela González Barroso (Universidad de Oviedo)
Isabel Nogueira (Universidad Federal de Rio Grande do Sul, Porto Alegre)
Alfonso Pérez Sánchez (Universidad de Guanajuato)
Alejandro Vera (Pontificia Universidad Católica de Chile)

*ORGANIZING COMMITTEE*
Andrea Bolado Sánchez (Universidad de Oviedo)
Diana Brenscheidt genannt Jost (Universidad de Sonora)
Rosalía Castro Pérez (Universidad de Oviedo)
Ladislao Ceja Fernández (Universidad de Oviedo)
Susana de la Cruz Rodríguez (Universidad de Oviedo)
Javier Gándara Feijóo (Universidade de Santiago de Compostela)
Álvaro Mota Medina (Universidad Complutense de Madrid)
Iván César Morales (Universidad de Oviedo)
Alicia Pajón Fernández (Universidad de Oviedo)

*SECRETARY*
Belén Vega Pichaco (Universidad de La Rioja)

*CONTACTmusam at sedem.es <musam at sedem.es>*
*--*
*Javier Marín-López*
Catedrático de Universidad | *Full Professor*
Coordinador Área de Música | *Music Chair*
www.javiermarinlopez.com
marin at ujaen.es
Directorio de redes sociales | *Social Media Profile List*
<https://linktr.ee/javiermarinlopez>

*Universidad de Jaén*
Dpto. Didáctica de la Expresión Musical, Plástica y Corporal
Facultad de Humanidades y CC. Educación, Edif. D2-127
Campus Las Lagunillas, s/n - 23071 - Jaén (España)
| +34 953 213 374

[image: Universidad de Jaén] <https://www.ujaen.es/>
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