[Englecturers] FW: UPDATE: In the City and On the Road: Stasis and Mobility in the 20th Century (1/15/06; 3/25/06-3/26/06)

[Steven Axelrod]

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From: owner-cfp at lists.sas.upenn.edu [mailto:owner-cfp at lists.sas.upenn.edu]
On Behalf Of TODD Kennedy
Sent: Monday, January 02, 2006 8:55 AM
To: cfp at english.upenn.edu
Subject: UPDATE: In the City and On the Road: Stasis and Mobility in the
20th Century (1/15/06; 3/25/06-3/26/06)


UPDATE: Because of the timing of the holidays we have extended our deadline
for submissions until Sunday January 15th.

ATTENTION: CALL FOR PAPERS

In the City and on the Road: Stasis and Mobility in the Twentieth Century An
Interdisciplinary Conference

http://www.cla.sc.edu/engl/20thcenturyconference 

Saturday, March 25 - Sunday, March 26, 2006
Department of English
University of South Carolina, Columbia (USA)

The twentieth century witnessed enormous shifts in patterns of mobility and
the meanings bound up with "moving"¯shifts that went hand in hand with new
definitions and associations for "stasis."  These changes were bound up with
a range of social factors: the massive expansion of industrial capitalism,
the growth of the modern city, new communication systems, etc.  The changes
gave rise to intense artistic debates about the value of a new, highly
mechanized, and often urban, mobility on one hand, and an older, rural
conception of organic communities and stasis on the other. Working within
the modern city, therefore, Walter Benjamin divides street walkers into two
categories: the "fl*neur" who meanders aimlessly and the "pilgrim" who seeks
a destination.  These same ideas, in a broader sense, have dominated the
works of writers, poets, essayists, sociologists, filmmakers, musicians,
politicians, and others as they sought to represent the city and the road as
a means of answeri!  ng questions about human identity.  Artists, such as
Joyce, Cela, and DeLillo, to name a few, have explored ideas of mobility
within cities while Steinbeck, Dennis Hopper, and Baudrillard have similarly
created an aesthetic of travel.  Meanwhile, this mobile century saw
widespread migrations, such as rural African Americans to Northern cities,
rural Spaniards to Madrid, and other movements towards wartime and post-war
industrial opportunity.  Contrarily, artists, such as Kerouac and Picasso
see the city as that which dwarfs and thwarts autonomy as it reflects, in
the words of Alfred Kazin, the "trauma of modern man."  Following the
success of the previous two years' conferences we invite papers that not
only examine and build upon these issues, but encourage the analysis and
exploration of multiple types of literature such as hypertext, film, art,
and music, in addition to poetry and fiction. We strongly encourage
cross-genre discussions.  

Topics may include, but certainly are not limited to:

• environmental literature    • Blues music and mobility, Jazz music and the
city
• migration, miscegenation, hybridity    • the city as destroyer
• the postcolonial, or "imagined" city  • religious and spiritual journeys
• community versus individuality/alienation   • communities in exile     
• existential ideas of the city and the road  • wilderness versus
civilization  
• the romanticization of the American West    
• e.g. Joyce's Dublin, Cela's Madrid, Dos Passos' Manhattan
• the road-buddy film or song   • immigration and assimilation
• mapping the postmodern city    • historicizing the modernist city
• the hobo or vagabond as hero   • the loss of rural space 
• urban and rural responses to war, terrorism and dictatorship
• racial/ethnic and environment     • urban vs. rural communities  
• the city or the road as sexual landscape     • fl*neurship

• relationship of gender to travel and/or stasis   • travel literature

The deadline for submission is Sunday, January 15, 2006.
Please submit 500-word abstracts at
http://www.cla.sc.edu/engl/20thcenturyconference .

Information on our Keynote Addresses:

Professor Gordon Ball – Virginia Military Institute
Gordon Ball, Professor of English and Fine Arts at the Virginia Military
Institute, is a renowned independent film maker, photographer, and scholar
on the Beat Generation and film.  Ball was a close friend of Allen Ginsberg,
about whom he has written extensively, and has edited two volumes of
Ginsberg's journals, including Journals: Early Fifties, Early Sixties
(1977).  His book Allen Verbatim: Lectures on Poetry, Politics,
Consciousness (1974) was nominated for the Pulitzer Prize.  Ball has also
published a memoir titled 66 Frames (1999) and a book of prose poetry.  Ball
earned his Ph.D. from the University of North Carolina-Chapel Hill.

Professor Priscilla Wald – Duke Univeristy
An internationally respected critic and scholar, Priscilla Wald is Associate
Professor of English and Women's Studies at Duke University.  In addition to
her notable work on Theodore Dreiser, Wald employs an interdisciplinary
approach to analyze popular media as a site for a socially constructed
vision of science.  The author of Constituting Americans: Cultural Anxiety
and Narrative Form (1995), Wald is also the Associate Editor of American
Literature, and serves on the editorial board of Literature and Medicine.
She is a member of PMLA's advisory board.  Wald earned her Ph.D. from
Columbia University. 
 

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