[Englecturers] Professor Josh Kun Gets Published
Matthew Snyder
mattysny at hotmail.com
Thu Dec 8 21:49:21 PST 2005
Hello Everyone:
It seems that I found out through the grapevine last month that Professor
Josh Kun has recently published his "Audiotopia: Race, Music, and America"
through UC Press. In addition, Valerie Solar has announced on the graduate
listserv that there is a spare copy of the book in the department library if
anyone wants to take a gander. For keeps, the book is listed at a
remarkably accessible price of $13.57 at Amazon.com:
http://www.amazon.com/gp/product/0520244249/qid=1134105609/sr=8-1/ref=pd_bbs_1/103-6613305-0551836?n=507846&s=books&v=glance
It is a great surprise to hear that his book is coming out after hearing
excerpts of it from a class I took with Professor Kun on
Critical/Experimental Writing back in 2000.
Congratulations to Mr. Frequencies.
Cheers,
Matthew Snyder
AUDIOTOPIA: Music, Race and America
Book Description:
Ranging from Los Angeles to Havana to the Bronx to the U.S.-Mexico border
and from klezmer to hip hop to Latin rock, this groundbreaking book injects
popular music into contemporary debates over American identity. Josh Kun
insists that America is not a single chorus of many voices folded into one,
but rather various republics of sound that represent multiple stories of
racial and ethnic difference. To this end he covers a range of music and
listeners to evoke the ways that popular sounds have expanded our idea of
American culture and American identity. Artists as diverse as The Weavers,
Cafe Tacuba, Mickey Katz, Rahsaan Roland Kirk, Bessie Smith, and Ozomatli
reveal that the song of America is endlessly hybrid, heterogeneous, and
enriching--a source of comfort and strength for populations who have been
taught that their lives do not matter. Kun melds studies of individual
musicians with studies of painters such as Jean-Michel Basquiat and of
writers such as Walt Whitman, James Baldwin, and Langston Hughes. There is
no history of race in the Americas that is not a history of popular music,
Kun claims. Inviting readers to listen closely and critically, Audiotopia
forges a new understanding of sound that will stoke debates about music,
race, identity, and culture for many years to come.
>From the Back Cover:
"The range and depth of Audiotopia is thrilling. It's not only that Josh Kun
knows so much-he knows what to make of what he knows."--Greil Marcus, author
of Lipstick Traces: A Secret History of the 20th Century
"With Audiotopia, Kun emerges as a pre-eminent analyst, interpreter, and
theorist of inter-ethnic dialogue in US music, literature, and visual art.
This book is a guide to how scholarship will look in the future--the first
fully realized product of a new generation of scholars thrown forth by
tumultuous social ferment and eager to talk about the world that they see
emerging around them."--George Lipsitz, author of Time Passages: Collective
Memory and American Popular Culture
Audiotopia : Music, Race, and America (American Crossroads) (Paperback)
by Josh Kun "IT ALL STARTED WITH A RECORD store and the Rock Island Line..."
(more)
List Price: $19.95
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