[Crwt-undergrad-info] Fwd: 2024 Sundance Indigenous Shorts Encore This Weekend
Allison Hedge Coke
allisonh at ucr.edu
Wed Sep 25 14:35:05 PDT 2024
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*DOWNTOWN RIVERSIDE*
*Culver Cinema*
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2024 Sundance Film Festival Indigenous Film Tour
Saturday, September 28th • 3pm
Sunday, September 29th • 1pm
The 2024 Sundance Institute Indigenous Film Tour is a 83-minute theatrical
program featuring eight short films from Indigenous filmmakers: four from
the 2024 Sundance Film Festival program, three from the 2023 Sundance Film
Festival and one short film from the 2005 Sundance Film Festival.
The curated selection reflects a variety of Native stories and showcases
inventive, original storytelling from indigenous artists previously
supported by the Festival. Sundance Institute has a long history of
supporting and launching talented Indigenous directors including Erica
Tremblay, Taika Waititi, Blackhorse Lowe, Sterlin Harjo, Sky Hopinka,
Caroline Monnet, Fox Maxy, and Shaandiin Tome. Support for screenings is
provided by the Andrew W. Mellon Foundation.
*Director:* Various
*Studio:* Sundance Film Festival
*Running Time:* 83 minutes
*Country:* Various
*Release Year:* 2024
*Rated:* Unrated
Tickets & More Info!
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Sans Soleil
Thursday, October 3rd • 7pm
Chris Marker, filmmaker, poet, novelist, photographer, editor, and now
videographer and digital multimedia artist, has been challenging
moviegoers, philosophers, and himself for years with his complex queries
about time, memory, and the rapid advancement of life on this planet. *Sans
Soleil* is his mind-bending free-form travelogue that journeys from Africa
to Japan.
This screening is part of SCREEN TO SCREEN, shown in conjunction with the
exhibition *Digital Capture: Southern California and the Pixel-Based Image
World*
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Videodrome
Friday, October 11th • 7pm
When Max Renn goes looking for edgy new material for his sleazy cable TV
station, he stumbles across the pirate broadcast of a hyperviolent
torture show called “Videodrome.” His attempts to unearth the program’s
origins send him on a hallucinatory journey into a shadow world of
right-wing conspiracies, sadomasochistic sex games, and bodily
transformation.
This screening is part of SCREEN TO SCREEN, shown in conjunction with the
exhibition *Digital Capture: Southern California and the Pixel-Based Image
World*
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Seeking Mavis Beacon
Saturday, October 12th • 3pm
Sunday, October 13th • 1pm
One of the most influential Black women in technology is a figment of our
collective imagination. Mavis Beacon was invented by the Co-Founder of
MySpace to sell the world’s most popular typing software, but the real
woman she was modeled after disappeared in 1995. *Seeking Mavis Beacon *poses
critical questions regarding anthropomorphization and the consumption of
marginalized bodies in the tech industry, while reimagining the legacy of a
missing historical figure.
This film is shown in conjunction with the exhibition Digital Capture:
Southern California and the Pixel-Based Image World
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The Bikeriders
Saturday, November 2nd • 3pm
*This screening will be accompanied by a special viewing of photographs
from the collection of the California Museum of Photography.*
*The Bikeriders* captures a rebellious time in America when the culture and
people were changing. After a chance encounter at a local bar,
strong-willed Kathy (Jodie Comer) is inextricably drawn to Benny (Austin
Butler), the newest member of Midwestern motorcycle club, the Vandals led
by the enigmatic Johnny (Tom Hardy). Much like the country around it, the
club begins to evolve, transforming from a gathering place for local
outsiders into a dangerous underworld of violence, forcing Benny to choose
between Kathy and his loyalty to the club.
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Conceiving Ada / Teknolust
Thursday, November 7th • 6pm
*Conceiving Ada (1997)*
This time-travel adventure film tells the story of Lady Ada Lovelace
(daughter of Lord Byron), a mathematics genius a century ahead of her time.
*Teknolust (2003)*
In this sci-fi-drama, Tilda Swinton plays four parts, including Rosetta
Stone—a scientist specializing in biogenetics who has created three
self-replicating automatons who rely on sperm to survive.
This screening is part of SCREEN TO SCREEN, shown in conjunction with the
exhibition *Digital Capture: Southern California and the Pixel-Based Image
World*
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Paprika
Friday, November 15th • 7pm
Prepare to enter the realm of fantasy and imagination — where reality and
dreams collide in a kaleidoscopic mindscape of sheer visual genius. The
magical tale centers on a revolutionary machine that allows scientists to
enter and record a subject’s dream. After being stolen, a fearless
detective and brilliant therapist join forces to recover the device —
before it falls into the hands of a “dream terrorist” in this gripping
anime thriller from acclaimed director Satoshi Kon.
This screening is part of SCREEN TO SCREEN, shown in conjunction with the
exhibition *Digital Capture: Southern California and the Pixel-Based Image
World*
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See the full line-up!
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UCR ARTS gratefully acknowledges the following sponsors for their generous
support
Supporters like you make it possible for UCR ARTS to bring you innovative
exhibitions, performances, lectures, and films that feature local,
regional, and internationally acclaimed artists, along with outreach to the
community.
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