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<br>
<a href="http://www.getty.edu/research/">
<img src="http://www.getty.edu/egetty/grievents/images/header_january.jpg" width=598 height=140 alt="J. Paul Getty Trust">
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<font face="Verdana" size=1>January 2009</font>
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<br>
<a href="http://www.getty.edu/visit/calendar">
<img src="http://www.getty.edu/egetty/images/calendar_2.gif" width=309 height=16 alt="Find Events at the Getty Center and the Getty Villa">
</a><b>
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<br>
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<br>
<font face="Verdana" size=4 color="#FFFFFF"><i>R E M I N D E R</i></font>
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<br>
<a href="http://www.getty.edu/research/scholarly_activities/events/gallery32/index.html">
<img src="http://www.getty.edu/egetty/grievents/issue/052/gallery32_image.jpg" width=198 height=202 alt="[]">
</a> <br>
<font face="Verdana" size=1><i>Stabilized Warrior</i>, Timothy
Washington, 1969, engraving on aluminum with added color. Courtesy of the
artist </font><br>
<img src="http://www.getty.edu/global/images/ghost.gif" width=4 height=1 alt="[]">
<font face="Verdana" size=4>Modern Art in Los Angeles: Gallery
32</b></font><br>
<font face="Verdana" size=2>Conversation <br><br>
Wednesday, January 28, 2009<br>
7:30 p.m. <br>
Harold M. Williams Auditorium, The Getty Center<br><br>
Betye Saar, Suzanne Jackson, and Carolyn Peter discuss the historic and
ongoing impact of Gallery 32, one of the few art spaces in Los Angeles
that exhibited emerging African American artists in the 1960s and 1970s.
The gallery played an important role in the social struggles of the
period while contributing to Los Angeles's diverse art scene. Organized
in collaboration with Loyola Marymount University's Laband Art Gallery.
<br><br>
<a href="http://www.getty.edu/research/scholarly_activities/events/gallery32/index.html">
Learn more and make reservations</a>.</font> <br>
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<br>
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<br>
<font face="Verdana" size=4 color="#FFFFFF"><i>C U R R E N T
E X H I B I T I O N</i></font>
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<br>
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<img src="http://www.getty.edu/global/images/ghost.gif" width=4 height=1 alt="[]">
<br>
<font face="Verdana" size=4><b>Tango with Cows: Book Art of the Russian
Avant-Garde, 1910–1917</b></font><br>
<font face="Verdana" size=2>Through April 19, 2009<br><br>
Drawn from the Getty Research Institute's superb collection of Russian
modernist books, <i>Tango with Cows: Book Art of the Russian Avant-Garde,
1910–1917</i> brings into focus a brief but tumultuous period when
Russian visual artists and poets challenged Symbolism and revolutionized
book art. <br><br>
Interactive touch screens in the exhibition gallery allow visitors to
explore some of these books page by page with audio recordings, text
translations, and an image tool. This feature is also available on the
exhibition Web site. <br><br>
<a href="http://www.getty.edu/art/exhibitions/tango_with_cows/index.html">
Learn more about the exhibition</a>.
</font>
<img src="http://www.getty.edu/global/images/ghost.gif" width=4 height=1 alt="[]">
<a href="http://www.getty.edu/art/exhibitions/tango_with_cows/index.html"><img src="http://www.getty.edu/art/exhibitions/tango_with_cows/images/p25127_88B27486_p8.jpg" width=191 height=255 alt="[]"></a>
<br>
<font face="Verdana" size=1>Portrait of Akhmet, <br>
Mikhail Larionov, <br>
<i>Mirskontsa</i> (Worldbackwards), Moscow, 1912</font><br>
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<br>
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<br>
<font face="Verdana" size=4 color="#FFFFFF"><i>A L S O O
F I N T E R E S T</i></font>
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<br>
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<br>
<img src="http://www.getty.edu/research/scholarly_activities/events/explodity/larionov.jpg" width=190 height=259 alt="[]">
<br>
<font face="Verdana" size=1>Figure making sound, Mikhail Larionov,
Velimir Khlebnikov and Alexei Kruchenykh, <i>Mirskontsa</i>
(Worldbackwards), Moscow, 1912 </font><br>
<img src="http://www.getty.edu/global/images/ghost.gif" width=4 height=1 alt="[]">
<font face="Verdana" size=4><b>Explodity: An Evening of
Transrational Sound Poetry</b></font><br>
<font face="Verdana" size=2>Performance <br><br>
Wednesday, February 4, 2009 <br>
Reception and Exhibition Viewing<br>
5:00–6:45 p.m.<br>
Getty Research Institute Exhibition Gallery, The Getty Center <br><br>
Russian Futurist <i>Zaum'</i> and Contemporary Sound Poetry <br>
7:00–8:45 p.m.<br>
Museum Lecture Hall, The Getty Center <br><br>
Performances by <b>Christian Bök</b>, <b>Steve McCaffery</b>, and <b>Oleg
Minin</b> of Russian Futurist <i>zaum'</i> and of contemporary sound
poetry, with an introduction by <b>Gerald Janecek</b>. This event is
presented in conjunction with the exhibition <i>Tango with Cows: Book Art
of the Russian Avant-Garde, 1910–1917</i>. <br>
<br>
<a href="http://www.getty.edu/research/scholarly_activities/events/explodity/index.html">
Learn more and make reservations</a>.</font> <br>
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<br>
<font face="Verdana" size=4><b>The Book as Such in the Russian
Avant-Garde</b></font><br>
<font face="Verdana" size=2>Symposium <br><br>
Thursday, February 5, 2009 <br>
9:00 a.m.–5:00 p.m. <br>
Museum Lecture Hall, The Getty Center <br><br>
Presented in conjunction with the exhibition <i>Tango with Cows: Book Art
of the Russian Avant-Garde, 1910–1917</i>, this one-day symposium brings
together scholars and artists in fields from art history to literature to
explore the Russian avant-garde's revolution of the book. <br><br>
<a href="http://www.getty.edu/research/scholarly_activities/events/book_as_such.html">
Learn more and make reservations</a>.</font>
<img src="http://www.getty.edu/global/images/ghost.gif" width=4 height=1 alt="[]">
<img src="http://www.getty.edu/research/scholarly_activities/events/explodity/hermit.jpg" width=175 height=241 alt="[]">
<br>
<font face="Verdana" size=1>Hermit, Natalia Goncharova, Alexei
Kruchenykh, <i>Pustynniki, Pustynnitsa: Dve poemy</i>(Hermits; Hermitess:
Two Poems), Moscow, 1913 </font><br>
<img src="http://www.getty.edu/global/images/ghost.gif" width=4 height=1 alt="[]">
<br>
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<img src="http://www.getty.edu/global/images/ghost.gif" width=4 height=1 alt="[]">
<br>
<font face="Verdana" size=4 color="#FFFFFF"><i>N E W P U B L
I C A T I O N S</i></font>
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<br>
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<br>
<img src="http://www.getty.edu/bookstore/images-sm/schapiro-sm.jpg" width=194 height=250 alt="[]">
<img src="http://www.getty.edu/global/images/ghost.gif" width=4 height=1 alt="[]">
<font face="Verdana" size=4><b>Meyer Schapiro Abroad</b></font><br>
<font face="Verdana" size=2>Letters to Lillian and Travel Notebooks<br>
Edited by Daniel Esterman <br><br>
The letters and travel notebook pages of Meyer Schapiroone of the
leading art historians of the twentieth centuryare filled with
observations and drawings that illuminate the intellectual and emotional
life of a young scholar committed to tracing the deep connections of art
with the totality of culture. <br><br>
Accompanying the letters and travel notebook pagestranscribed and
annotated by Daniel Esterman, the Schapiros' nepheware Thomas Crow's
foreword, Esterman's introduction, and an essay by Hubert Damisch.
<br><br>
<a href="http://www.getty.edu/bookstore/titles/schapiro.html">Learn more
and buy online</a>. </font><br>
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<br>
<img src="http://www.getty.edu/global/images/ghost.gif" width=4 height=1 alt="[]">
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<img src="http://www.getty.edu/global/images/ghost.gif" width=4 height=1 alt="[]">
<br>
<font face="Verdana" size=4><b>Art of the Defeat,<br>
France 1940–1944 </b></font><br>
<font face="Verdana" size=2><br>
<b>by Laurence Bertrand Dorléac</b> <br>
Translation by Jane Marie Todd <br>
Foreword by Serge Guilbaut <br><br>
<i>Art of the Defeat</i> provides an unflinching look at the art scene in
Occupied France. Beginning with Adolf Hitler's staging of the armistice
at Rethondes, the book offers a survey of Nazi and Vichy artistic
policies, key events and organizations, and individual acts of
collaboration and resistance. <br><br>
<a href="http://www.getty.edu/bookstore/titles/defeat.html">Learn more
and buy online</a>.
</font>
<img src="http://www.getty.edu/global/images/ghost.gif" width=4 height=1 alt="[]">
<img src="http://www.getty.edu/bookstore/images-sm/defeat-sm.jpg" width=180 height=250 alt="[]">
<br>
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<img src="http://www.getty.edu/global/images/ghost.gif" width=4 height=1 alt="[]">
<br>
<font face="Verdana" size=4 color="#FFFFFF"><i>N E W A C Q U
I S I T I O N</i></font>
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<br>
<img src="http://www.getty.edu/global/images/ghost.gif" width=4 height=1 alt="[]">
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<br>
<img src="http://www.getty.edu/egetty/grievents/issue/054/GuerrillaGirls.jpg" width=198 height=148 alt="[]">
<br>
<font face="Verdana" size=1><i>Props</i> (Gorilla mask, false fruit),
Guerrilla Girls records, 1985–2000, 2008.M.14 <br>
</font>
<img src="http://www.getty.edu/global/images/ghost.gif" width=4 height=1 alt="[]">
<font face="Verdana" size=4><b>Guerrilla Girls Records,
1985–2000</b></font><br><br>
<font face="Verdana" size=2>The archive chronicles this feminist protest
group formed to fight discrimination against women artists and artists of
color. Files illuminate the development of the Guerrilla Girls' polemics
and tactics, documenting public and private responses to their protest
actions. </font><br>
<img src="http://www.getty.edu/global/images/ghost.gif" width=4 height=1 alt="[]">
<br>
<img src="http://www.getty.edu/global/images/ghost.gif" width=4 height=1 alt="[]">
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<img src="http://www.getty.edu/global/images/ghost.gif" width=4 height=1 alt="[]">
<br>
<font face="Verdana" size=4 color="#FFFFFF"><i>L O O K I N G
A H E A D</i></font>
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<br>
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<img src="http://www.getty.edu/global/images/ghost.gif" width=4 height=1 alt="[]">
<br>
<font face="Verdana" size=4><b>In This New Day: Collecting African
American Art in the 21st Century</b></font><br>
<font face="Verdana" size=2>Project for the Study of Collecting and
Provenance Annual Lecture<br><br>
Tuesday, February 17, 2009<br>
4:00 p.m.–5:15 p.m.<br>
Museum Lecture Hall, The Getty Center <br><br>
Lecturer: Alvia J. Wardlaw, Texas Southern University <br>
Alvia J. Wardlaw is a professor and curator nationally recognized in the
classroom and showroom, is a leading expert on African-American art and
history. </font><br>
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<br>
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