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IN THIS ISSUE |<br><br>
Exhibitions<br>
<a href="#exhCMP">UCR/California Museum of Photography</a><br>
<a href="#exhSAG">UCR Sweeney Art Gallery</a><br><br>
Educational Programs<br>
<a href="#eduCMP">UCR/California Museum of Photography</a><br>
<a href="#edu_SAG">UCR Sweeney Art Gallery</a><br><br>
<a href="#podcasts">ARTSblock Podcasts</a> Highlights<br><br>
<b>November 1, Thursday, 2007</b><br>
<b>UCR ARTSblock</b> | Opening Receptions and Panels<br>
6:00 and 9:00 PM<br><br>
<b>November 4, Sunday, 2007</b><br>
<b>UCR ARTSblock</b> | First Sunday Program<br>
1:00 - 4:00 PM <br>
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<a href="http://rs6.net/tn.jsp?e=001X090zZtUHUB6nLGwnWpDH0kEKIChAg0-302BHD0nwU9qmBjG42MljQHDdaECkD2D8uxqjZWClVI6CJIDwzbqpYBVFv8mM0ZzQH2sAOScjoYpsGOni--m5kVzNOLQE2p3AIMWKfjzvl8DjjJYH-1OHQ==">UCR/California
Museum of Photography<br>
Extreme Places<br>
November 01, 2007 - November 30, 2007<br>
Opening Reception: November 1, 6:00 - 8:00PM</a><br><br>
Winners of the Extreme Places photo contest sponsored by ARTSblock
Education Department reveals some photographic gems produced in the
landscape format. Photographers from Riverside to Amsterdam submitted
digital images by mail and Internet for consideration by a panel of seven
judges. The fifteen selected artists and their works will be featured
during a reception in the new Digital Studio Gallery.<br>
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UCR/California Museum of Photography<br>
Side-by-Side<br>
Stereoscopy in the Twentieth Century</a><br>
November 10, 2007 - February 09, 2008<br><br>
This exhibition will survey a variety of stereographic viewing devices
and photographs drawn from UCR/CMP’s Permanent Collection. Among the
objects exhibited will be a fully restored and functioning Cail-o-scope,
which was a popular arcade-style device in the early twentieth century.
Side-by-Side will emphasize the interactive side of the stereograph and
how objects have been physically viewed, historically and presently.<br>
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UCR/California Museum of Photography<br>
Real Uncertain<br>
A Conversation Between Painting and Photography</a><br>
October 13, 2007 - January 06, 2008<br><br>
<i>Real Uncertain: A Conversation Between Painting and Photography</i>
explores the complex interchange between these two artistic disciplines.
The artists within this exhibition engage this ongoing conversation by
questioning the representation of 'truth' through the depiction and
subtle to blatant manipulation of environments within their compositions.
Ranging from intricate details to painterly gestures to eloquent shadows,
these artists question photographic techniques, twisting “reality” into
something just a little bit different. <br>
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UCR/California Museum of Photography<br>
Jay Wolke<br>
Architecture of Resignation</a><br>
October 13, 2007 - January 06, 2008<br><br>
Chicago based artist Jay Wolke has been photographing in southern Italy,
specifically the Mezzogiorno region, for the past eight years. The
resulting large-format, lush color images describe an elaborate set of
physical, social and political structures, manifesting in an
extraordinary folding together of visual information embedded in the
landscape. <br>
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Art Gallery<br>
Alison Walker<br>
Project Gallery Three</a><br>
October 27 - November 24, 2007<br>
Opening Reception: November 1, 6:00 PM - 9:00 PM<br><br>
Project Gallery Three is devoted to a series of solo exhibitions by
second-year Master of Fine Art graduate students in UC Riverside’s art
program. The first three solo exhibitions are by Alison Walker, Katherine
McPeak, and Christine Frerichs. <br>
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Sweeney Art Gallery<br>
Gabriela León<br>
Sunday Walk to the Zocalo of Oaxaca </a><br>
October 13, 2007 - January 05, 2008<br><br>
<i>Gabriela León: Sunday Walk to the Zocalo of Oaxaca</i> is a
multi-media artistic response to the popular revolt and resistance that
has been unfolding in Oaxaca since June 2006. Some of the elements of the
exhibition will consist of a "barricade dress" made of
barbed-wire found amidst the detritus of the unrest, a video projection
of the artist wearing this dress walking among protestors, police, and
burned out cars, a sound installation that evokes the voices of the
crowds, and a site-specific installation of tarps inspired by the
temporary living structures at the zocalo during the lengthy protest.
Major support for this exhibition comes from the University of California
Institute for Mexico and the United States (UC Mexus) and artbeam.
Organized by UCR Sweeney Art Gallery, and curated by Sweeney Art Gallery
Director, Tyler Stallings. The exhibition will travel to the Sesnon Art
Gallery at UC Santa Cruz, January 30-March 8, 2008. <br>
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Sweeney Art Gallery<br>
Raven on the Fence<br>
Paintings by Cosmé Cordova</a><br>
October 13, 2007 - January 05, 2008<br><br>
Cosmé Cordova’s work depicts his experience living between two worlds.
Born in Mexico and illegally emigrated at a young age by his father,
Cordova experiences life in the U.S. as an organic growth between the
deep cultural heritage concentrated in the family and the personal
sacrifices individuals subject themselves to in order to achieve economic
success and social independence. For his exhibition at UCR Sweeney Art
Gallery, Cordova has a series of paintings and monograph prints based on
the juxtaposition of two visual tropes: the raven and the dual landscape.
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Sweeney Art Gallery<br>
Delirium Fronterium<br>
Victor Payan and Perry Vasquez</a><br>
October 13, 2007 - January 05, 2008<br><br>
Payan and Vasquez explore crossing borders as a phenomenal and conceptual
activity in their installation for Sweeney, Keep on Crossin’
(keeponcrossin.com). The image of R. Carumba, a border-crossing campesino
who wears a sombrero and huaraches, is a motif in the work, which acts as
a caricature of Mexicaness, and intervenes with this notion in a
contemporary context of cultural transformation and political reaction.
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Museum of Photography<br>
Artist Talk<br>
Todd Brainard and James Lorigan</a><br>
November 1, 7:15 PM - 9:00 PM<br><br>
Join artists Todd Brainard and James Lorigan as they each talk about
their artistic practice related to the practice of photorealism. The
relationship between painting and photography is more symbiotic than is
often acknowledged. We tend to trust photography, still, to portray an
objective reality, while paintings carry the aura of artistic license and
imagination. However the two disciplines enrich each other in countless
ways. Photorealistic and some types of Realist paint styles would not
exist without the help of photography. <br>
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UCR/California Museum of Photography <br>
My Hero / Mi Historia<br>
First Sundays Program<br>
November 4, 1:00 PM - 4:00 PM</a><br><br>
The UCR/CMP Education Department will hold a workshop entitled “My Hero:
Mi Historia” as a complement to the exhibition <i>Jay Wolke: Architecture
of Resignation: Valley of the Temples, Valley of the Giants, Valley of
Five Fingers</i>. Adults and kids will bring photos, make drawings, or
write short reflections on heroes and anti-heroes from their lives or in
the media. The workshop will take place during Family Fun Day, Sunday
November 4th from Noon to 4:00PM. Feel free to bring images from home or
just bring yourself! To RSVP call the Education office at
951.827.4796<br><br>
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Art Gallery<br>
Taking It To The Streets<br>
Art and Public Protest<br>
November 1, 7:00 PM - 8:00 PM</a><br><br>
Riverside ArtsWalk Event. Panel Discussion. Using the art of Gabriela
León as a starting point, UCR Sweeney Art Gallery presents a panel
discussion that will investigate the ideas of how art works in public
spaces, how it has been utilized as a mode of social protest, and how
vernacular forms of expression have been incorporated into public
demonstrations through artistic intervention. Panelists include: Lourdes
Alberto (Oaxacan indigenous, Founding Member of the Women’s Indigenous
Native Caucus and Lecturer in Chicana/Latina Studies at the University of
Colorado-Boulder) and Tyler Stallings (Director of UCR Sweeney Art
Gallery).<br><br>
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Sweeney Art Gallery<br>
String Thing Workshop <br>
First Sundays Program<br>
November 4, 1:00 PM - 4:00 PM</a><br><br>
Family Fun Day on First Sundays: make amazing 3D sculptural pieces using
colorful strings. Materials provided.<br><br>
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Sweeney Art Gallery<br>
Local 909ER<br>
A film by Enid Baxter Blader<br>
November 8, Film Screening, 7:00 PM </a><br><br>
Local 909er is an experimental documentary that explores the rapid
redevelopment of the Inland Empire. Rancho Cucamonga, Chino, Norco,
Ontario and Upland are represented in this poetic meditation on growth
and community, featuring a score by Riverside musicians, Balcony.
<br><br>
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ARTSblock<br>
UCR ARTSblock Live!<br>
Composer Paulo Chagas</a><br><br>
Gabriela Jauregui talks with Brazilian-German composer Paulo Chagas and
presents some of his music. Professor Chagas is a composer, theoretician,
and researcher in music technology at UC Riverside.<br>
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Sweeney Art Gallery<br>
Podcast Series<br>
Featuring Gabriela León and Perry Vasquez</a><br><br>
This podcast series features video and audio documentation of artists
Gabriela León's <i>Sunday Walk to the Zocalo of Oaxaca</i> and Perry
Vasquez’s performance during the opening reception <i>Victor Payan and
Perry Vasquez: Delirium Fronterium.</i><br><br>
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UCR/California Museum of Photography<br>
Podcast Series<br>
Featuring quarterly podcasts, artist talks and interviews</a><br><br>
On view from: October 13, 2007 - January 06, 2008 at UCR/California
Museum of Photography. Podcast includes information regarding upcoming
exhibitions, educational programs and special events planned at the
museum.<br><br>
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UCR ARTSblock consists of three premier art institutions affiliated
with the University of California, Riverside--the UCR/California Museum
of Photography, the Sweeney Art Gallery, and the future Culver Center of
the Arts (2009)--located on a single city block in downtown Riverside.
This one-of-a-kind integrated arts complex will bring exciting art,
performances, film, a media study center, and special events to Southern
California and the Inland Empire.<br><br>
UCR ARTSblock<br>
Website:
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www.artsblock.ucr.edu</a><br>
KCET Podcast:
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ARTSblock Live!</a><br><br>
UCR/California Museum of Photography <br>
Info Line: (951) 784-FOTO | Website:
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http://www.cmp.ucr.edu</a><br>
MySpace:
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Print Sales:
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http://www.zazzle.com/ucrcmp*</a><br><br>
Sweeney Art Gallery<br>
Main Line: (951) 827-3755 | Website:
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http://www.sweeney.ucr.edu</a><br>
MySpace:
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http://www.myspace.com/sweeneyartgallery</a> <br><br>
<i>Image Credits (In order of appearance): Jonathan Green, UCR ARTSblock,
2007; Sandi Wheaton, Bombay Beach Trailer, Courtesy of the artist, 2007;
Shane Shukis, Alison Walker at work in Project Gallery 3, 2007; James
Lorigan, Attainable, Courtesy of the artist, 1997; Staff Photograph,
Panel, 2007.</i>
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<x-sigsep><p></x-sigsep>
John M. Ganim<br>
President, New Chaucer Society<br>
Professor of English<br>
Department of English<br>
University of California, Riverside<br>
900 University Avenue<br>
Riverside CA 92521<br>
TEL (951) 827-1540<br>
FAX (951) 827-3967<br>
ON CAMPUS PHONE 21540<br>
EMAIL John.Ganim@UCR.EDU<br>
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