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<font face="Arial, Helvetica"><b>Join us for the Department of Dance
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</font><font face="Arial, Helvetica" size=5 color="#800080"><b>New
Research in Dance Studies<br>
</font><font face="Arial, Helvetica" size=4 color="#800080">with speakers
on Interdisciplinary Approaches to Dance and the Body<br><br>
</font><font face="Arial, Helvetica" size=4>Wednesdays @ 4:10pm in
PE102<br>
</font><font face="Arial, Helvetica"><i>Visitors Welcome!
</i></b><br><br>
<br>
<b>April 6
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</font><font face="Arial, Helvetica" color="#800080">Interdisciplinary
Research and Enactments of Translation: <br>
Making Angora Matta<br>
</b></font><font face="Arial, Helvetica">Marta Savigliano, World Arts and
Cultures, UCLA<br><br>
<b>April 13
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</font><font face="Arial, Helvetica" color="#800080">Mojo in Motion:
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Mexican Americans and Popular Dance in Los Angeles, 1935-1968<br>
</b></font><font face="Arial, Helvetica">Anthony Macias, Ethnic Studies
Department, UCR<br><br>
<b>April 20
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</font><font face="Arial, Helvetica" color="#800080">Sounds of 'black' in
the rainbow flag: <br>
Black women and the politics of inclusion in women-identified music<br>
</b></font><font face="Arial, Helvetica">Eileen Hayes, Music History,
Theory, and Ethnomusicology, University of North Texas and Postdoctoral
Fellow, Music, UCR<br>
</font><font face="Arial, Helvetica" size=2><i>Cosponsored by the
Department of Music, UCR<br><br>
</i></font><font face="Arial, Helvetica"><b>April 27
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</font><font face="Arial, Helvetica" color="#800080">No Balloons<br>
</b></font><font face="Arial, Helvetica">Susan Rose, Dance, UCR<br><br>
<b>May 4 </b><br>
</font><font face="Arial, Helvetica" color="#800080"><b>A Theory of
Maneuvers<br>
</b></font><font face="Arial, Helvetica">Anna Scott, Dance, UCR<br><br>
<b>May 11<x-tab> </x-tab><br>
</font><font face="Arial, Helvetica" color="#800080">Written on the
Body<br>
</b></font><font face="Arial, Helvetica">Erika Suderburg, Art History,
UCR<br><br>
<b>May 18<x-tab> </x-tab><br>
</font><font face="Arial, Helvetica" color="#800080">The Erotic Economies
of Black Bodies in Motion<br>
</b></font><font face="Arial, Helvetica">Jayna Brown, Ethnic Studies,
UCR<br><br>
<b>May 25
</font><font face="Arial, Helvetica" color="#800080">Latin/a Refractions:
Saints, Salsa, and Sex Appeal<br><br>
The Politics of Difference: Dancing “Wrong” in LA Salsa Clubs<br>
</b></font><font face="Arial, Helvetica">Cindy Garcia, World Arts &
Cultures, UCLA<br><br>
</font><font face="Arial, Helvetica" color="#800080"><b>Cosmetic Borders:
The "Torrid" Dance of Rita Hayworth<br>
</b></font><font face="Arial, Helvetica">Priscilla Ovalle, Critical
Studies, University of Southern California<br><br>
</font><font face="Arial, Helvetica" color="#800080"><b>The “Venerated”
One: A (Hi)Story of Cuban Mulatas and their Holy Hips<br>
</b></font><font face="Arial, Helvetica">Melissa Blanco Borelli, Dance,
UCR<br><br>
<b>June 1<x-tab> </x-tab><br>
</font><font face="Arial, Helvetica" color="#800080">Transgendering Faith
in a Philippine Festival<br>
</b></font><font face="Arial, Helvetica">Patrick Alcedo, Center for
Southeast Asian Studies, UCR<br><br>
<b>Coordinated by Professor Jacqueline Shea Murphy<br>
Information: jshea@ucr.edu 951.827.7880<br>
</font><br>
Kathleen DeAtley<br>
Publicity/Publications Manager<br>
Departments of Dance, Music and Theatre<br>
</b>University of California, Riverside - ARTS 125<br>
900 University Ave., Riverside, CA 92521-0325<br>
<b>(951) 827-3245 <br>
<a href="http://www.performingarts.ucr.edu/" eudora="autourl">http://www.performingarts.ucr.edu</a></b>
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<br>
<div>John M. Ganim</div>
<div>Professor of English</div>
<div>Department of English</div>
<div>University of California, Riverside</div>
<div>900 University Avenue</div>
<div>Riverside CA 92521</div>
<div>TEL (951) 827-1540</div>
<div>FAX (951) 827-3967</div>
<div>ON CAMPUS PHONE 21540</div>
<div>EMAIL John.Ganim@UCR.EDU</div>
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