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<p class="MsoNormal"><b><span style="font-size:10.0pt;font-family:"Tahoma","sans-serif"">From:</span></b><span style="font-size:10.0pt;font-family:"Tahoma","sans-serif""> chass-staff-bounces@lists.ucr.edu [mailto:chass-staff-bounces@lists.ucr.edu]
<b>On Behalf Of </b>Cynthia G Smith<br>
<b>Sent:</b> Monday, February 13, 2012 8:51 AM<br>
<b>To:</b> chass-staff@lists.ucr.edu; chass-nsfaculty@lists.ucr.edu; chass-faculty@lists.ucr.edu<br>
<b>Subject:</b> [Chass-staff] Mark Bould - Science Fiction Media Studies Search<o:p></o:p></span></p>
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<p class="MsoNormal" align="center" style="text-align:center"><b><span style="font-size:20.0pt;font-family:"Calibri","sans-serif";color:red">REMINDER </span></b><b><span style="font-size:20.0pt;color:red"><o:p></o:p></span></b></p>
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<p class="MsoNormal" align="center" style="text-align:center"><i><span style="font-size:14.0pt;font-family:"Calibri","sans-serif";color:black">The Science Fiction Media Studies Search Committee presents:</span></i><span style="color:black"><o:p></o:p></span></p>
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<p class="MsoNormal" align="center" style="text-align:center"><b><span style="font-size:20.0pt;font-family:"Calibri","sans-serif";color:black">Mark Bould</span></b><span style="font-size:20.0pt;color:black"><o:p></o:p></span></p>
<p class="MsoNormal" align="center" style="text-align:center"><span style="font-family:"Calibri","sans-serif";color:black">Reader in Film and Literature</span><span style="color:black"><o:p></o:p></span></p>
<p class="MsoNormal" align="center" style="text-align:center"><span style="font-family:"Calibri","sans-serif";color:black">University of the West of England</span><span style="color:black"><o:p></o:p></span></p>
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<p class="MsoNormal" align="center" style="text-align:center"><b><span style="font-size:16.0pt;font-family:"Calibri","sans-serif";color:black">“Our World, Their War: Neoliberal Spaces and Subjects in World Science Fiction Cinema”</span></b><span style="color:black"><o:p></o:p></span></p>
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<p class="MsoNormal" align="center" style="text-align:center"><b><span style="font-size:14.0pt;font-family:"Calibri","sans-serif";color:#558ED5">Tuesday, February 14, 2012</span></b><span style="color:black"><o:p></o:p></span></p>
<p class="MsoNormal" align="center" style="text-align:center"><b><span style="font-size:14.0pt;font-family:"Calibri","sans-serif";color:#558ED5">10:15am</span></b><span class="apple-converted-space"><b><span style="font-size:14.0pt;font-family:"Calibri","sans-serif";color:#1F497D"> </span></b></span><b><span style="font-size:14.0pt;font-family:"Calibri","sans-serif";color:#558ED5">-</span></b><span class="apple-converted-space"><b><span style="font-size:14.0pt;font-family:"Calibri","sans-serif";color:#1F497D"> </span></b></span><b><span style="font-size:14.0pt;font-family:"Calibri","sans-serif";color:#558ED5">11:45am</span></b><span style="color:black"><o:p></o:p></span></p>
<p class="MsoNormal" align="center" style="text-align:center"><b><span style="font-size:14.0pt;font-family:"Calibri","sans-serif";color:#558ED5">INTS 1113</span></b><span style="color:black"><o:p></o:p></span></p>
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<p class="MsoNormal" align="center" style="text-align:center"><span style="font-family:"Calibri","sans-serif";color:black">From its fantasies of dematerialization, deterritorialization, and friction-free circulation, to its depictions of confinement, immiseration,
and disarticulation,</span><span style="color:black"><o:p></o:p></span></p>
<p class="MsoNormal" align="center" style="text-align:center"><span style="font-family:"Calibri","sans-serif";color:black">science fiction relentlessly—if not always intentionally—generates images that condense and figure the workings of global capital. The
Science Fiction of</span><span style="color:black"><o:p></o:p></span></p>
<p class="MsoNormal" align="center" style="text-align:center"><span style="font-family:"Calibri","sans-serif";color:black">deindustrialization produced by the neoliberal ascendancy of the 1980s and 1990s has more recently been articulated through an affective</span><span style="color:black"><o:p></o:p></span></p>
<p class="MsoNormal" align="center" style="text-align:center"><span style="font-family:"Calibri","sans-serif";color:black">dialectics of mobility</span><span class="apple-converted-space"><span style="font-family:"Calibri","sans-serif";color:#1F497D"> </span></span><span style="font-family:"Calibri","sans-serif";color:black">and
constraint that resonates strongly with spatial and biopolitical analyses of neoliberal globalization.</span><span style="color:black"><o:p></o:p></span></p>
<p class="MsoNormal" align="center" style="text-align:center"><span style="font-family:"Calibri","sans-serif";color:black">Against this backdrop, I will consider the representation of labor in three films:<span class="apple-converted-space"> </span><i>Transformers<span class="apple-converted-space"> </span></i>(Bay,
US 2007),</span><span style="color:black"><o:p></o:p></span></p>
<p class="MsoNormal" align="center" style="text-align:center"><i><span style="font-family:"Calibri","sans-serif";color:black">Africa Paradis</span></i><span class="apple-converted-space"><span style="font-family:"Calibri","sans-serif";color:black"> </span></span><span style="font-family:"Calibri","sans-serif";color:black">(Amoussou,
Benin/France 2006), and<span class="apple-converted-space"> </span><i>Sleep Dealer</i><span class="apple-converted-space"> </span>(Rivera, Mexico/US 2008).</span><span style="color:black"><o:p></o:p></span></p>
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<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497D"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="font-family:"Calibri","sans-serif";color:#1F497D">Cindi Smith<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497D">Executive Assistant to the Dean<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497D">College of Humanities, Arts, and Social Sciences<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497D">951.827.3572;
<a href="mailto:cynthia.smith@ucr.edu">cynthia.smith@ucr.edu</a><o:p></o:p></span></p>
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